December 1897, Paris. Edmond Rostand is not yet thirty but already two children and a lot of anxieties. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. Only concern: it is not written yet. Ignoring the whims of actresses, the demands of his Corsican producers, the jealousy of his wife, the stories of his best friend’s heart and the lack of enthusiasm of all those around him, Edmond starts writing this piece which nobody believes. For now, he has only the title: “Cyrano de Bergerac”.

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Two clans of snakes cohabit in the desert. Beautiful green serpents that live under the shelter of an oasis, protected and venerated by men and poisonous snakes that survive in the sand, dust and heat, hunted and killed by the Tuaregs. Here is the story of Ajar, a young poisonous serpent, laughed at by his peers because he still has not done his first moult and that of Eva, rebellious princess of the oasis who wants to escape to escape an arranged marriage. These two will meet and fall in love. Alas, Eva will be kidnapped by the Tuaregs and Ajar, accompanied by her best friend, Pitt the Scorpion, will have to cross the ruthless Sahara to save Eva from the terrible fate awaiting her.

In may 1940, the German troops enter France. Frightened by the progress of the enemy, the people of a small village of Pas-de-Calais decide on the recommendations of the prefecture, to give up everything to go on the road, fleeing to the coast.