One suspects writer-director Carol Lai may have harboured some Black Swan ambitions with a tale that also centers around a stage practitioner who embarks on an unwitting destructive journey when playing a role to die for. The Second Woman, whose Chinese title Romance Riddle may hold better clues as to how this film developed, being more of a guessing game that threw constant clues rather than a overly romantic film about twins falling in love with a man who decided it’s perfectly OK to string both women along, until he discovers that this spells double trouble.

Lam Kwok Kuen, nearing retirement and raising a mentally challenged son by himself, is a police officer whose sole requirement on the job is oversee the department fleet. Despite this, he remains active in the front line of police service, putting his life on the line for the sake of others, his heroism bettering even the most seasoned professionals. He fights the bad guys, putting criminals behind bars, upholding the law at any cost, for as his adage proclaims, to live a day surmounts to pursuing justice relentlessly, whether life or death proceeds in its aftermath.