Utsumi and Seto’s daily routine is to spend their afterschool hours just jabbering with one another along a riverbed. Getting excited over trivial word play; agonizing over the content of an email to be sent to a girl; and at times talking about a serious problem, the two endlessly engage in meaningless idle talk as if it were meaningful.

After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them.

A female student falls for a senior, but the senior not really for her. He is willing to go to bed with her, but doesn’t feel love. The couple embark on a painful yet passionate experiment. A 1970s story in 1970s images, based on the legendary book by the then very young writer Kei Nakazawa.

In a fancy split-level condo in Tokyo’s Roppongi nightlife district, four women and four men gather from midnight to 5 am. They’ve all paid to be there (men more than women), and they have only one thing in common–they seek anonymous sex. Using no names, they’re known only by their types: freeter (temp or part-time worker), mild-mannered salaryman, duplicitous OL (office lady), self-conscious working class factory worker, perfectionist teacher, veteran pervert, shy NEET (“not in education, employment or training”) and bashful college student. Together, they unravel their identities in a night of increasing debauchery. Daisuke Miura’s adaptation of his critically acclaimed 2005 play of the same name explores Japan’s fuzoku (sex industry) with depth, humor and freewheeling indecency. This surprising, erotic and disturbing film features breakout performances by Sosuke Ikematsu and Mugi Kadowaki, who are tempted to mix love with sex.

A recently widowed writer whose wife died in a bus crash comes to terms with his grief—or lack of it—in caring for the children of a working man who also lost his wife in the same accident.