Jacques Tati’s gloriously choreographed, nearly wordless comedies about confusion in the age of technology reached their creative apex with Playtime, a lasting testament to a modern age tiptoeing on the edge of oblivion.

With many idea rich comic situations French director Jacques Tati uses his poetic ways and knowledge of the discrepancy between heart and technique to tell a gentle business satiric tale that won him the Oscar for best foreign film in 1959.