Sergio Corbucci
While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry’s treasures, which Kowalski revels in.
A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.
Dave Speed is no ordinary Miami cop–he is an irradiated Miami cop who has developed super powers. Unfortunately, he doesn’t quite know how to use them and this gets him in trouble with his long-suffering partner. Red powder from a nuclear explosion gave him super powers and as long as he doesn’t see anything red, his only weakness.
The sole survivor of a bloody massacre vows revenge on his attackers and on the men who killed his wife.
Django is a 1966 Italian spaghetti Western film directed by Sergio Corbucci and starring Franco Nero in the eponymous role. The film earned a reputation as being one of the most violent films ever made up to that point and was subsequently refused a certificate in Britain until 1993, when it was eventually issued an 18 certificate. Subsequent to this the film was downgraded to a 15 certificate in 2004. Although the name is referenced in over thirty “sequels” from the time of the film’s release until the mid 1980s in an effort to capitalize on the success of the original, none of these films were official, featuring neither Corbucci nor Nero. Nero did reprise his role as Django in 1987’s Django 2: Il Grande Ritorno (Django Strikes Again), in the only official sequel to be written by Corbucci.
A writer accepts a bet that he cannot spend the night alone in a haunted castle on All Soul’s Eve. Once night falls at the castle, several who had been murdered therein return to life, reliving their deaths and seeking to kill the writer for his blood in a vain attempt to stay alive beyond that one night. Barbara Steele, as one of the living dead, tries to aid his escape from the castle.