Inspired by Arthur Schnitzler’s classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles’ 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.
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Though having never once in her life seen her father, Hyun-soo has never felt his absense, as there is a perfect mother for her. Her mother is also a renowned plastic surgeon, so she is never lonely, surrounded by girls who want beauty consultations from her mother. But her happiness comes to an end as her friends who have received facial surgery from her mother start to commit mysterious suicides by cutting out their faces. She also starts to feel that there is someone else in the house where she lives alone with her mother. One day, she discovers a hidden basement and there, she comes to find a secret from her past, which will bring great turmoil to mother and daughter.
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In a quiet suburban town in the summer of 1958, two recently orphaned sisters are placed in the care of their mentally unstable Aunt Ruth. But Ruth’s depraved sense of discipline will soon lead to unspeakable acts of abuse and torture that involve her young sons, the neighborhood children, and one 12-year-old boy whose life will be changed forever.
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In the 11th year of Kwang Hae-gun, Jo-seon soldiers go to war with China after an invasion. In the middle of Manchu, three people who have barely survived are being cornered by the Chinese forces, and begin a bloody battle not with their enemies but with their friends.
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