One woman’s unexpected race to the altar teaches her a whole new meaning to marriage.

In 1929, an expedition of university botanists enter an uncharted forest where they discover, and must escape an ancient organism.

At a college in Rome, a professor, nicknamed “Dodo” is in a deep depression. His stunningly beautiful wife has just left him for another man. Dodo wants her back very badly and has erotic daydreams about her. A beautiful young student in his class asks him for a ride home and seduces the lucky man, but still he wonders about his wife and her lover.

Unable to have kids, Nick an ex-con and Maryann a hard core christian, resort to the extreme to become parents. They kidnap a woman going in for an abortion and force her to have her baby for them.

Cut from his NFL football team, a man starts bonding with his young daughter and encourages her to play soccer.

“Tormenting the Hen” a caustic satire of city mice in the world of country mice, where well-meaning cosmopolites clash with strange townsfolk in country homes, black-box theaters, backyards, and local pubs. Invited by a dippy, curator (Josephine Decker), playwright Claire (Dameka Hayes) is spirited away to an artists’ retreat to present a political one-act about race, resentment, and masculinity. Accompanied by her fiancé, Monica (Carolina Monnerat), begins as a welcome getaway for the harried pair, until an unexpected visit from town enigma Mutty (Matt Shaw) casts a threatening shadow. While Claire plays babysitter to a duo of difficult performers Joel (Brian H. Brooks) and Adam (David Malinsky) Monica attempts to maintain her sanity despite her lover’s decreasing attentions and her neighbor’s proximity. Each woman struggles to preserve her autonomy in an increasingly hostile milieu, building to a soul-shaking climax that offers no easy answers for character and viewer alike.

When principal Joe Clark (Morgan Freeman) takes over decaying Eastside High School, he’s faced with students wearing gang colors and graffiti-covered walls. Determined to do anything he must to turn the school around, he expels suspected drug dealers, padlocks doors and demands effort and results from students, staff and parents. Autocratic to a fault, this real-life educator put it all on the lin

Damon Runyon’s fairytale, sweet and funny, is told by director Frank Capra. Boozy, brassy Apple Annie, a beggar with a basket of apples, is as much as part of downtown New York as old Broadway itself. Bootlegger Dave the Dude is a sucker for her apples — he thinks they bring him luck. But Dave and girlfriend Queenie Martin need a lot more than luck when it turns out that Annie is in a jam and only they can help: Annie’s daughter Louise, who has lived all her life in a Spanish convent, is coming to America with a Count and his son. The count’s son wants to marry Louise, who thinks her mother is part of New York society. It’s up to Dave and Queenie and their Runyonesque cronies to turn Annie into a lady and convince the Count and his son that they are hobnobbing with New York’s elite.

Not Waving But Drowning is a chronological look at growing up, formed from two different stories. The two sets of friends represent the American dilemma between what you have known and what you hope to know; the tear between longing for the past and the desire to explore.

Dramatic comedy about two unlikely people who find each other while looking for love. Judith Nelson (Holly Hunter) is suddenly single after discovering her husband of fifteen years, a successful doctor (Martin Donovan), has been having an affair with a younger woman. Judith stews, plans, plots and fantasizes, but she can’t decide what to do with her life until she goes out to a night club to see singer Liz Bailey (Queen Latifah), who is full of advice on life and love. While out on the town, Judith is suddenly kissed by a total stranger, which opens her eyes to new possibilities … which is when she notices Pat (Danny De Vito), the elevator operator in her building.

An up-and-coming journalist finds his world and faith increasingly challenged when he’s granted the interview of a lifetime – with someone who claims to be God.

Documentary on the effects of 1970s filmmaking.