When Steve Dallas, a womanizing local weatherman, hears that his off-the-grid best friend Ben Baker has lost his estranged father, the two return to Ben’s childhood home. Once there, they discover Ben has inherited the family fortune, and the ill-equipped duo must battle Ben’s formidable sister and deal with his father’s gorgeous 25-year old widow.
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A young man is a reformed gambler who must return to playing big stakes poker to help a friend pay off loan sharks.
After being dumped by her boyfriend just before their 100 day anniversary, Ha-Young, meets a college guy named Hyung-Joon when she accidentally kicks a can that hits him in the face and causes him to scratch his Lexus. He demands she pay him $3000 on the spot. She escapes from him, leaving her wallet behind.Hyung-Joon stalks her, demanding money to pay for his car. Since she is a poor high school student Hyung-Joon writes up a “Enslavement Agreement” for Ha-Young in order to pay for the damage to his car. Ha-Young is thrown into a nightmarish slave life for 100 days, cleaning his house, running his errands, doing his homework and cleaning his car.By accident she finds out that the damage to Hyung-Joon’s car only costs $10! She then takes her revenge. However, before she knows it Hyung-Joon shows up at her house as her new tutor! He once again takes advantage of her, but soon Ha-Young finds herself falling head over heels for Hyung-Joon.
Serial killer is genetically mutated in car wreck on the way to his execution. After which, he becomes a murdering snowman hell-bent on revenge for the sheriff who caught him.
After a kidney transplant, Jake Warren experiences reoccurring nightmares he believes to be visions of his donor’s violent murder, sending him on a dark path of vengeance, leading to an unbearable truth.
The story of teenager, Richard Wershe Jr., who became an undercover informant for the police during the 1980s and was ultimately arrested for drug-trafficking and sentenced to life in prison.
We Are Kings is a rock and roll/blues fable, a group of down and out musicians breaks through against all odds, with a little help from a friendly ghost. Starring Sammy Blue, Rita Graham, Bianca Ryan, Pryce Watkins, and Jonathon Boogie Long.
The return of a vengeful ex-girlfriend sets into motion a series of gruesome events for a hapless Irish bachelor in director Robert Quinn’s grim black comedy. Tommy (Andrew Scott) had thought he had seen the last of Jean (Katy Davis) after their recent breakup, but when she returns to stake her claim on Tommy’s apartment, the confrontation that ensues makes their previous quarrels look petty by comparison. After leaving the apartment in the head of the fight to cool his head and gather his thoughts, he returns only to find that Jean has died and enlists the aid of his friend Noel (Darren Healy) in ditching the body and ensuring that no one ever finds out what happened.
Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last – the river. Despite this perfect record, Miguel is no stranger to death. His nickname, “El Maldito” hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel’s house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose – crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck’s lone survivor, recognizes Miguel.
Madeline has become an integral part of a prestigious physical theater troupe. When the workshop’s ambitious director pushes the teenager to weave her rich interior world and troubled history with her mother into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women’s lives.