Coming Through the Rye, set in 1969, is a touching coming of age story of sensitive, 16 year old Jamie Schwartz, who is not the most popular kid at his all boys’ boarding school. Disconnected from students and teachers, he believes he is destined to play Holden Caulfield, the main character of The Catcher in the Rye, and has adapted the book as a play.
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When a fiery young couple attempts to rekindle their relationship after three years apart, the highs and lows of their passion leave the pair wondering if nostalgia is enough to keep them together.
Scott and Vincent are top recruits at the prestigious Cicero Market Technologies Corporation where they are tasked with the development and implementation of cutting edge technologies. The sole purpose of their work is to bring about medical, environmental and physics advancements. However, beaten by their own curiosity, the pair begin to sneak their work home with them. They push the boundaries of particle collision science to undiscovered levels stumbling upon a parallel universe complete with an alternate version of Scott. As their days and nights unfold they begin to discover that others seek their tech to advance their own agendas. Agendas that they intend to fulfill at any cost.
Luke’s exultance at being selected for The Skulls (a secret society bred within the walls of a prominent Ivy League Campus) is soon overshadowed when he realises that all is ‘not well in Wonderland’. For The Skulls is a breeding ground for the future powerful and elite. It’s not only a far cry from his working class background, but it also hallows its own deep and dark secrets.
This thriller from directors Dale Fabrigar and André Gordon concerns two couples who decide to marry on the same day – readily anticipating the most joyous event of their young lives. All hell breaks loose, however, when three men – including a minister, a drug addict and a jealous brother – unleash violence on the ceremonies.
“Tormenting the Hen” a caustic satire of city mice in the world of country mice, where well-meaning cosmopolites clash with strange townsfolk in country homes, black-box theaters, backyards, and local pubs. Invited by a dippy, curator (Josephine Decker), playwright Claire (Dameka Hayes) is spirited away to an artists’ retreat to present a political one-act about race, resentment, and masculinity. Accompanied by her fiancé, Monica (Carolina Monnerat), begins as a welcome getaway for the harried pair, until an unexpected visit from town enigma Mutty (Matt Shaw) casts a threatening shadow. While Claire plays babysitter to a duo of difficult performers Joel (Brian H. Brooks) and Adam (David Malinsky) Monica attempts to maintain her sanity despite her lover’s decreasing attentions and her neighbor’s proximity. Each woman struggles to preserve her autonomy in an increasingly hostile milieu, building to a soul-shaking climax that offers no easy answers for character and viewer alike.
In small-town Texas, high school football is a religion, 17-year-old schoolboys carry the hopes of an entire community onto the gridiron every Friday night. When star quarterback Lance Harbor suffers an injury, the Coyotes are forced to regroup under the questionable leadership of John Moxon, a second-string quarterback with a slightly irreverent approach to the game.