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Private eye Roland Drake cracks cases and romances femme fatales in 1940’s Los Angeles while corrupt cop Det Barry Tate rules the city. A tale told in the classic style of film noir. Drake has fallen on hard times in a harsh world. He has been evicted from his office and disgraced by a missing persons case. Ruined in the public eye and with the police. it seems like it’s all over for Roland Drake. Then, redemption walks in – with curves. The owner of those curves is a sexy, dark haired beauty named Katherine Montemar. She wants his help. The chemistry is immediate and her concern for the disappearance of her family members pulls him into her case – and into bed.
JC (Alexander Polli) is a B.A.S.E. Jumper, a global playboy who lives his life quite literally on the edge, pursuing man’s greatest dream – to fly. When a jump goes wrong, that dream is violently shattered. Haunted by the event, JC is drawn to his best friend’s lover, ASH (Julie Dray), as he pushes himself harder than ever before – flying lower, closer, faster and recording every moment on film. Soon JC’s dark descent threatens not only his own life but the lives of all those around him. BASE follows a man over the edge and watches him fall.
Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. She drives a tractor on a local coconut plantation, loves rock music and wants to be a tattoo artist. She feels trapped in the tiny coastal village. She is involved with Jeison, who also works on the coconut farm and who free dives for lobster and octopus in his spare time.
The filmed adaptation from David Benioff’s novel of the same name. Set in New York, a convicted drug dealer named Monty has one day left of freedom before he is sent to prison. Anger, blame, frustration, betrayal, guilt and loneliness are themes on this last day of friends, family, parties, saying goodbye, and setting things straight. A Spike Lee joint.
During autumn of 1944, an RAF Hudson carrying a VIP passenger in possession of highly secret information is shot down and ditches in the North Sea. Fighting the elements and trying to keep up morale, the occupants of the aircraft’s dinghy talk about their lives awaiting the rescue they hope will come. The film’s title reflects the motto of the RAF’s Air Sea Rescue Service, one of whose high speed launches battles against its own mechanical problems, enemy action, time and the weather to locate and rescue the downed crew and the vital secret papers they carry.
Germany in the early 1930s. Against the backdrop of the Nazis’ rise, Hermann Hermann, a Russian émigré and chocolate magnate, goes slowly mad. It begins with his seating himself in a chair to observe himself making love to his wife, Lydia, a zaftig empty-headed siren who is also sleeping with her cousin. Hermann is soon given to intemperate outbursts at his workers, other businessmen, and strangers. Then, he meets Felix, an itinerant laborer, whom he delusionally believes looks exactly like himself. Armed with a new life insurance policy, he hatches an elaborate plot in the belief it will free him of all his worries.