A tearaway teenage girl, at war with her mum, and trying to take control of her life, forms an amazing and unbreakable bond with a new friend. They raise hell, stick two fingers up at the world, and laugh like they never have before… but can Ellen avoid becoming just another statistic?
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In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
Brothers Vincent (rich) and Clay (poor) meet up for the first time after their father’s funeral and remark on how similar they look. But unknown to Clay, who thinks his life is taking a turn for the better, Vince is actually plotting to kill him with a car bomb and pass the corpse off as his own, planning to start a new life elsewhere with his father’s inheritance. But Clay survives the blast and has his face, memory and identity restored in hospital… but are they the right ones?
This dark comedy explores the tale of a couple’s sexual experiment gone exceptionally wrong. After an embarrassing afternoon, Nick (Jordan Cox) races home to gather the rest of his belongings. He frantically tries to grab everything he can before his girlfriend, Tiffany (Giana Alexis Cambria) now probably retitled “ex” finds him, but he’s too late. Catching him off guard, she confesses that the obstacles in their relationship are actually her fault. As forgiveness, and to his surprise, she even offers him his secret fantasy; a threesome with his mistress. But none of this would have transpired if Tiffany had never befriended Angelica (Morgan Filteau) at a restaurant that the couple usually frequented. During a conversation, the two girls find common ground regarding their significant others and realize they’re both dating the same guy. The two ladies thus devise a ploy to expose Nick’s obscenity with a website dedicated to him. All they need are a few embarrassing pictures, but …
A journalist sets out to uncover the truth behind an incident, through the perspectives of different people, unraveling how they and their lives are intertwined with it.
In 1940, Masaaki Takaoka works as a teacher in the agricultural division at a youth training institute. Although Japan’s defeat seems immanent, all of Masaaki’s students are drafted in a futile last-ditch effort. In an attempt to give the young men some hope, he makes everyone promise that they will all meet again under the cherry blossoms upon their safe return. Consumed by sadness over the fate of his students, Masaaki devotes the next 30 years of his life to develop a new species of cherry blossoms that could thrive in any climate in remembrance of his students.
Five friends embark on a camping trip to sacred Native territory and are warned to stay away. When they choose to ignore the warning they are confronted with strange occurrences, seductive apparitions, vengeful locals and a deadly behemoth. Their weekend of fun becomes a descent into hell.
The most famous Museum in Vienna appears in the film as a mysterious intersection where the characters explore their own lives, the city and how art reflects the world.
When Anita Raja, CEO of Sheppard power plant, brings a power plant proposal to set up in rural Mahrashtra before the Nagres, insightful Shankar is quick to realise the benefits the power plant can bring to the people.
