Two outsiders travel around the countryside during school holidays.

“Oscar Pistorius: Blade Runner Killer” tells the story of the sprint runner dubbed the “Blade Runner,” and his rise to fame as a gold medalist Paralympic champion and as the first double-leg amputee to participate in the Olympics. Oscar’s (Andreas Damm, “Elementary”) resilience to overcome his disability combined with his apparent fairy tale relationship with model Reeva Steenkap (Toni Garrn, “Under the Bed”) turned him into a media favorite. This all shattered one Valentine’s Day night when four bullets were fired and Reeva’s life was taken. Her brutal death shocked the world and the court room drama that followed consumed the news. “Oscar Pistorius: Blade Runner Killer” provides an inside look at the events leading up to Reeva’s killing, the cracks that formed in the relationship between Oscar and Reeva, as well as the courtroom drama that followed, revealing what happened on that tragic night.

A solitary middle-aged bachelor and a naive Irish teenager transform one another’s lives to arrive at a place of recognition, redemption and wisdom in Atom Egoyan’s adaptation of William Trevor’s celebrated 1994 novel. Seventeen and pregnant, Felicia travels to England in search of her lover and is found instead by Joseph Ambrose Hilditch, a helpful catering manager whose kindness masks a serial killer. Hilditch has murdered several young women, but he has no conscious awareness of the crimes; like Felicia, he doesn’t see his true self. Felicia’s Journey is a story of innocence lost and regained: Felicia awakens to the world’s dangers and duplicities; and Hilditch, who grew up lonely and unloved, comes to realize what was taken from him, and what he himself has taken.

Amelia hesitantly follows her husband’s dream of heading west during the 1848 California gold rush. His rash decision to go ahead of the caravan results in his death at the hands of Indians, but Amelia survives. Alone in a wilderness that she never wanted to travel, she must find civilization with virtually no survival skills or supplies.

The Democratic Republic of Congo has endured 20 years of devastating violence. Rape has been used as a weapon of war to destroy community and access precious minerals. Congo is often referred to as “the worst place in the world to be a woman.” CITY OF JOY tells a different story of the region. The film focuses on Jane, a student at a center where women who have suffered unimaginable abuse join together to become leaders. We also meet the founders of the center: a devout Congolese Doctor (Dr Denis Mukwege, 2016 Nobel Peace Prize nominee) a Congolese activist (Christine Schuler-Deschryver) and a radical N.Y. playwright (Eve Ensler, author of The Vagina Monologues). The film weaves between joy and pain as these individuals band together to demand hope in a place so often deemed hopeless.

Three bachelors find themselves forced to take care of a baby left by one of the guy’s girlfriends.

A retired lawman works with a new sheriff when a botched Mexican drug deal and a vicious hit man threaten their border town.

A group of American GIs work their way through war-torn France during the final days of the Second World War.

A police detective consults with incarcerated serial killer Ted Bundy to help him catch The Green River Killer. Based on terrifying true life elements which inspired Silence of the Lambs. In 1984, police in Washington State are investigating a spate of serial murders committed by a mysterious man known as The Green River Killer. With no leads to go on, the detective in charge of the case consults with psychologists in an attempt to get inside the mind of the killer. But when that doesn’t produce a positive result and the killings continue, the detective realizes that the only way to understand what makes a serial killer tick is to meet one. So he visits the imprisoned Ted Bundy, one of the most notorious serial killers in American history.

A quiet young boy struggling with the loss of his parents and the broken relationship with his older sister, finds comfort in the friendship of a giant that lives in the forest near his home.

In Roman Polanski’s first English-language film, beautiful young manicurist Carole suffers from androphobia (the pathological fear of interaction with men). When her sister and roommate, Helen, leaves their London flat to go on an Italian holiday with her married boyfriend, Carole withdraws into her apartment. She begins to experience frightful hallucinations, her fear gradually mutating into madness.