A portrait of youth in bloom; a tale of one family’s dissolution; a reflection upon the danger and the mystery in living. Sandrine Bonnaire plays Suzanne, a free spirit and the vessel for an almost Brontëan choler. She’s 16, and men exist — diverse lovers, an overbearing brother, and the father portrayed by director Maurice Pialat himself in an unforgettable turn that displays the full magnitude of the cinema giant’s tenderness, force-of-will, and presence of being.

A zombie outbreak has fallen upon the land in this reimagining of Jane Austen’s classic tale of the tangled relationships between lovers from different social classes in 19th century England. Feisty heroine Elizabeth Bennet (Lily James) is a master of martial arts and weaponry and the handsome Mr. Darcy (Sam Riley) is a fierce zombie killer, yet the epitome of upper class prejudice. As the zombie outbreak intensifies, they must swallow their pride and join forces on the blood-soaked battlefield in order to conquer the undead once and for all.

While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O’Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.

Open war against humanity rages. For five survivors – lost and on the run – the pursuit is relentless, the bullets are dwindling and the battle is everywhere. This is a 24-houuir look into their lives.

Prem Prakash Tiwari (Ayushmann Khurrana) listening to Kumar Sanu is the film’s opening shot. Set in Haridwar, 1990s, the film captures the nascent feel of the town. Prem owns a cassette shop in the local market. His father is keen to get him hitched and the family goes to a local temple to meet Sandhya (Bhumi Pednekar). B.Ed, waiting for a teaching job, the most visible thing about her is her weight. Coming from a patriarchal cognitive set-up, she doesn’t fit the quintessential idea of beautiful. And still, the school drop out Prem must marry her because he is incapable of attaining a girl with ‘Juhi-Chawla-level-of-looks.’ In an elaborate community-wedding ceremony, Prem and Sandhya get married. Their wedding night is uncomfortable with neither treading towards establishing conjugal relations. Prem has in his own reasons and the girl is naturally shy. Next morning on a call, she announces it to a friend and the whole family finds out

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Felix Farmer (Richard Mulligan) latest movie flops – and lots of Hollywood types spring into action. Agents are called. Lawyers are retained. Statements are issued. It’s what a master comedy director Blake Edwards calls “Standard Operating Bull,” the subject of his gleefully satiric S.O.B.

This visually stunning erotic drama follows a young man who finds himself unexpectedly attracted to his handsome, outspoken male professor. Despite — or perhaps because of — his conservative upbringing, Hins is intent on getting close enough to Ming to understand him. It’s an experience that transforms his life and comes to define his adult identity.

“Onion” Upgrading warm male school bully (Wang Chuanjun ornaments), “Akio” promotion domineering senior sister apprentice (Dong Weijia ornaments), you might guess at the beginning, but you’ll never guess the outcome.
Unfulfilled love, love hard to follow. Even a hug can not give, but I was in this world that one loves you; even if the fate of certain death to let us apart, I have to find a way back to your side to protect you.

A young governess, Ann, is sent to a country house to take care of two orphans, Miles and Flora. Soon after her arrival, Miles is expelled from boarding school. Although charmed by her young charge, she secretly fears there are ominous reasons behind his expulsion. With Miles back at home, the governess starts noticing ethereal figures roaming the estate’s grounds. Desperate to learn more about these sinister sightings she discovers that the suspicious circumstances surrounding the death of her predecessor hold grim implications for herself. As she becomes increasingly fearful that malevolent forces are stalking the children the governess is determined to save them, risking herself and her sanity in the process.

A truck driver builds a special, eight-ton truck to help get revenge against the rednecks who killed his family and raped his girlfriend.

In the 1930s political activist Jimmy Gralton is deported from Ireland during the ‘Red Scare’.