Rick is a screenwriter living in Los Angeles. While successful in his career, his life feels empty. Haunted and confused, he finds temporary solace in the decadent Hollywood excess that defines his existence. Women provide a distraction to his daily pain, and every encounter brings him closer to finding his place in the world.
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When a crime organization from North Korea crosses borders and enters South Korean soil, a South Korean detective must cooperate with a North Korean detective to investigate their whereabouts.
A mother and her son plan a surprise visit to Los Angeles to see her husband/his father. Halfway there they get into a terrible accident in the middle of nowhere and now must fight to survive.
In 140 AD, twenty years after the unexplained disappearance of the entire Ninth Legion in the mountains of Scotland, young centurion Marcus Aquila (Tatum) arrives from Rome to solve the mystery and restore the reputation of his father, the commander of the Ninth. Accompanied only by his British slave Esca (Bell), Marcus sets out across Hadrian’s Wall into the uncharted highlands of Caledonia – to confront its savage tribes, make peace with his father’s memory, and retrieve the lost legion’s golden emblem, the Eagle of the Ninth.
Dr. Sullivan Travis is a man at the top of his game, a rich and successful Dallas gynecologist whose “religion” is women. Dr. T. worships women. In his immediate family and in his office, they surround him. He is loving and giving to each and every one at all times — he is their savior. And sure enough, as in the story of Job, one day a higher force decides to test his faith. Once a man in complete control of his universe, Dr. T. now finds himself buffeted by chaos and confusion.
The episode will focus on the young Zeon ace Char Aznable earning his “Red Comet” nom de guerre, as well as the beginnings of the Federation’s “Project V” weapons project that will eventually birth the RX-78-2 Gundam.
When a western Pennsylvania auto plant is acquired by a Japanese company, brokering auto worker Hunt Stevenson faces the tricky challenge of mediating the assimilation of two clashing corporate cultures. At one end is the Japanese plant manager and the sycophant who is angling for his position. At the other, a number of disgruntled long-time union members struggle with the new exigencies of Japanese quality control.
When Ilan Halimi is kidnapped for ransom because Jewish and supposedly rich, his family and the police start a race against time to save him from the tortures of the “gang of barbarians”.
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi