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You arrive at a secret location at a precise time, prompted by a mysterious email. You must follow the instructions closely. Once inside, disturbing visions begin. Unspeakable acts befall you—often frightening, sometimes sensual, possibly painful—each stimulating your deepest fears. And when it’s over, you are changed, abandoned, and left wondering what is real and what was merely a game.
A Good American tells the story of the best code-breaker the USA ever had and how he and a small team within NSA created a surveillance tool that could pick up any electronic signal on earth, filter it for targets and render results in real-time while keeping the privacy as demanded by the US constitution.
Brian Jones, Jimi Hendrix, Janis Joplin and Jim Morrison all died at the age of 27 between 1969 and 1971. At the time, the coincidence gave rise to some comment, but it was not until the death of Kurt Cobain, about two and a half decades later, that the idea of a “27 Club” began to catch on in public perception, reignited with the death of Amy Winehouse in 2011. Through interviews with people who knew them, such as music stars, critics, medical experts and unseen footage, the lives, music, and artistry of those who died at 27 are investigated with a bid to find answers.
HONDROS follows the life and career of famous war photographer Chris Hondros by exploring the poignant and often surprising stories behind this award-winning photojournalist’s best-known photos. Driven by a commitment to bear witness to the wars of our time after the events of 9/11, Chris was among the first in a new generation of war photographers since Vietnam. HONDROS explores the complexities inherent in covering more than a decade of conflict, while trying to maintain a normal life. It also examines the unknowable calculus involved in making split-second life and death decisions — before, during and after his photos were made. Chris was killed in Libya in 2011, but he left a lasting impact on his profession that is still felt today.
Why do 11,000 people die in America each year at the hands of gun violence? Talking heads yelling from every TV camera blame everything from Satan to video games. But are we that much different from many other countries? What sets us apart? How have we become both the master and victim of such enormous amounts of violence? This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist’s Cookbook to the murder of a six-year-old girl by another six-year-old, Bowling for Columbine is a journey through America, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.
Commentator-comic Bill Maher plays devil’s advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ’s existence, Jewish Sabbath laws, violent Muslim extremists.
Like Air is a feature length documentary that follows three high school competitive dancers on their journey to a nationals championship competition. With every step towards the trophy, they discover their personal identity through dance and the life it breathes into their soul.
A European director is commissioned to make a documentary about Istanbul. He starts to film its everyday life – but soon becomes drawn to the darker, more mysterious side of the city – its past, its secrets, its ghosts. Gradually he succumbs to obsession.
In 2013, Idris Elba produced and released “Idris Elba presents mi Mandela”, an album inspired by his time researching and portraying Nelson Mandela in “Mandela: Long Walk to Freedom”. The musical culture of South Africa was a great influence to him, both present day and historically, and connecting to the music Mr. Mandela would have listened to throughout his life was a great aid in Elba’s preparation for the role. Arrangements were made to record the album in South Africa and Mali at the end of 2013, however, sadly just before Elba left, his father, Winston, passed away. While working simultaneously on the album and promoting his film, Elba had BAFTA award-winning director Daniel Vernon document his movements. “Mandela, My Dad and Me” not only documents one man’s struggle in producing his first album, but also his emotional quest to pay a fitting tribute to two inspirational men.