Lucy Hill is an ambitious up-and-coming executive living in Miami. She loves her shoes, she loves her cars and she loves climbing the corporate ladder. When she is offered a temporary assignment – in the middle of nowhere – to restructure a manufacturing plant, she jumps at the opportunity, knowing that a big promotion is close at hand. What begins as a straight-forward assignment becomes a life-changing experience as Lucy discovers greater meaning in her life and, most unexpectedly, the man of her dreams.
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Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
Nightmares of the past haunt the beautiful, mysterious Olivia (Suzanna Love), a London resident who begins a passionate affair with American businessman Mike (Easy Rider’s Robert Walker, Jr.). Trapped in a loveless marriage and traumatized by memories of her mother’s brutal murder, Olivia hopes her lover will offer a chance at a new life. However, ghostly voices and brutal murders ignite a fiendish, twist-filled story of double identities, deception, and erotic terror.
Grady (Michael Douglas) is a 50-ish English professor who hasn’t had a thing published in years — not since he wrote his award winning “Great American Novel” 7 years ago. This weekend proves even worse than he could imagine as he finds himself reeling from one misadventure to another in the company of a new wonder boy author.
Set in France during the mid-1970s, Vanessa, a former dancer, and her husband Roland, an American writer, travel the country together. They seem to be growing apart, but when they linger in one quiet, seaside town they begin to draw close to some of its more vibrant inhabitants, such as a local bar/café-keeper and a hotel owner.
After getting his heart broken by his childhood sweetheart, Tom Campbell escaped from his home town to join the military. Years later, Tom returns home with the news of his grandmother’s failing health and business. A town treasure, Cupid’s is known for its enchanting reputation of guiding guests to find love. Chelsea, the mayor and Tom’s ex-flame, takes advantage of this bad news and devises a scheme to get the property sold to make way for a mall. Although pressured to save the bed and breakfast, Tom’s history of heart break makes it difficult to stand up for such a symbol of love. Sharing in his skepticism of love is Nancy, a new police officer in town. With Nancy’s encouragement, Tom just might make the effort to keep the landmark afloat after all.
A group of men hire some prostitutes and go to a villa in the countryside. There, they engage in group sex and resolve to eat themselves to death.
Athletic 12-year-old Maddy (Kristen Stewart) shares an enthusiasm for mountain climbing with her father, Tom (Sam Robards). Unfortunately, Tom suffers a spinal injury while scaling Mount Everest, and his family is unable to afford the surgery that can save him. Maddy decides to get the money for her father’s operation by robbing a high-security bank. She relies on her climbing skills and help from her geeky friends (Max Thieriot, Corbin Bleu) to pull it off successfully.
Doug Glatt, a slacker who discovers he has a talent for brawling is approached by a minor league hockey coach and invited to join the team as the “muscle.” Despite the fact that Glatt can’t skate his best friend, Pat, convinces him to give it a shot, and Glatt becomes a hero to the team and their fans, until the league’s reigning goon becomes threatened by Glatt’s success and decides to even the score.
The film stars Libuse Safrankova as the title character, a young woman who is put upon by her stepmother and stepsisters. The film employs a twist, though, when a handsome prince comes knocking. Cinderella does not simply fall into the prince’s arms. In this version, he must actively pursue the young woman who is a skilled sharpshooter prone to wearing hunting outfits. Cinderella also has three wishes at her disposal, gained from three magic nuts.
Depression-era bank robber John Dillinger’s charm and audacity endear him to much of America’s downtrodden public, but he’s also a thorn in the side of J. Edgar Hoover and the fledgling FBI. Desperate to capture the elusive outlaw, Hoover makes Dillinger his first Public Enemy Number One and assigns his top agent, Melvin Purvis, the task of bringing him in dead or alive.
