Nothing Left to Fear was inspired by the legend of Stull, Kansas. Wendy (Anne Heche), her husband Dan (James Tupper of “Revenge”) and their kids have just moved to the small town of Stull, Kansas, where Dan is the new pastor. But in this sleepy community of friendly neighbors, a horrific series of occurrences awaits them: Their teenage daughter (Rebekah Brandes of Bellflower) is being tormented by grisly visions. Her younger sister (Jennifer Stone of “Wizards Of Waverly Place”) has been marked for a depraved ritual. And deep within the heartland darkness, one of The Seven Gates Of Hell demands the blood of the innocent to unleash the creatures of the damned.
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The New Wave of French horror cinema has arrived and at its vanguard is 14 year-old director Nathan Ambrosioni. Meredith Langston always longed to have children. She finally makes this happen when she adopts two young adolescent girls. However, her now idyllic world sours rapidly and dream veers to nightmare when she quickly finds that she is unable to cope with their increasingly strange behaviour. Desperate, she seeks the help of two journalists working for a local TV programme ‘SOS Adoption’. Unfortunately it is all for nothing, especially when the reporters discover that there is another presence in the house.
When a gloomy, God-fearing island community is rocked by the murder of a young child, a psychologist is called in to examine Dorothy Mills, the teenager accused of the crime. Despite the villagers’ resistance, the therapist soon suspects that Dorothy suffers from multiple personality disorder…
Behind the Sightings follows Todd and Jessica Smith, two filmmakers from Raleigh in North Carolina, who set out to produce a documentary exploring the highly publicized, creepy clown sighting epidemic, which was investigated by local law enforcement. As the young married couple venture into Peachtree Way, Nash County, in search of clowns, what they found was far from funny.
In town for a job interview, a young woman arrives at her Airbnb late at night only to find that it has been mistakenly double-booked and a strange man is already staying there. Against her better judgement, she decides to stay the night anyway, but soon discovers that there is much more to be afraid of in the house than the other guest.
Rai wakes up from 820-years long sleep and starts his new life as a student in a high school founded by his loyal servant, Frankenstein. But his peaceful days with other human students are soon interrupted by mysterious attackers known as the “Unions”.
Over 20 years after his death by a gunshot, Jimmy Bones comes back as a ghost to wreak revenge on those who killed him and to clean up his neighborhood.
The close-knit community of Brackenmore is harboring a secret. After the untimely death of an uncle she never knew she had, Kate (Sophie Hopkins) is forced to return to her ancestral home, a tiny rural village in the South of Ireland. Soon after her arrival she meets Tom (D.J. McGrath), a mysterious young local who helps her to rediscover her long-neglected roots and forget about the anxieties of her life in London. The longer Kate stays in Brackenmore, the more she begins to realize that the eccentricities of its self-protective residents, may be more ominous than she first thought and the secluded family estate is harboring a dark and ancient secret. From the opening scenes of a fateful car crash to the shocking ending Brackenmore weaves its ways under your skin shifting between classic horror to the mysteries of the occult. Cinematographer Justin McCarthy keeps a steady hand as he captures the silent fear that begins to grow as Hopkins uncovers the dark horror that is Brackenmore.
When a 747 crashes shortly after take-off, the sole survivor is the pilot. Virtually unhurt, he and the investigators look for the answers to the disaster. Meanwhile mysterious deaths occur in the community and only a psychic, in touch with the supernatural, can help the pilot unravel the mystery surrounding the doomed plane.
