To escape her abusive boyfriend, Kat joins a wilderness expedition with a group of women, all of whom are struggling with the uncertainty of life. What was supposed to be an opportunity for personal discovery quickly becomes a fight for survival, forcing each one to discover the strength within themselves that they didn’t even know they possessed. While being brazenly chased by a pack of predators, the strong quickly set themselves apart from the weak. In a battle of will, stamina, and heart, these very virtues present themselves at the most crucial moment. With death looming, each is left with what is truly important – the strength within oneself.
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Veronica Love seems to have it all…she’s smart, sassy and sexy and has a career as one of the most successful real estate entrepreneurs in California. Affectionately known as Love by her girlfriends Beverly and Charity, Love also happens to be happily single and loving every minute of it. She has no shortage of flings with the many boy toys and playthings that cross her path all because she doesn’t believe in true love. Enter the sexy and mysterious business acquaintance Lance Peterson. Love has never felt this way about any man before and thinks that he could possibly be “the one” as their feelings for one another grow deeper by the moment. Lance is harboring a few tightly-wound deep secrets of his own that soon unravel and are revealed to her. Will his shocking revelation be enough to bring Love’s world crashing down around her or will Love be able to survive his secrets with her heart still intact?
Do You Like My Basement? tracks how one man’s creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath’s streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
Macabre, international title for Rumah Dara (Indonesian title), and in Singapore titled Darah) is an Indonesian horror/slasher film in 2010. The movie tells about a group who attempt to escape from a house that owned by mysterious lady named Dara and her family. We later discover the family are killers and cannibals attempting to gain immortality. The film is based on the short film Dara. Before the film was screened in Indonesia, it was screened at several festivals in 2009. Rumah Dara was released in Singapore where it gained an M18 rating (for Gore and Violence)
Ninja Assassin follows Raizo (Rain), one of the deadliest assassins in the world. Taken from the streets as a child, he was transformed into a trained killer by the Ozunu Clan, a secret society whose very existence is considered a myth. But haunted by the merciless execution of his friend by the Clan, Raizo breaks free from them and vanishes. Now he waits, preparing to exact his revenge.
When an English cartographer must tell a Welsh village that their mountain is only a hill, the offended community sets out to change that. The film is based on a story heard by Christopher Monger from his grandfather about the real village of Taff’s Well in the old county of Glamorgan, and its neighbouring Garth Hill. However, due to 20th century urbanisation of the area, it was filmed in the more rural Llanrhaeadr-ym-Mochnant and Llansilin areas in Powys.
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
Horror novelist Luke Sinclair retreats to a small town to finish writing his latest book. A young woman is murdered in the woods nearby, in circumstances similar to those in his bestselling novel, “Reaper”. Faced with increasing pressure from a suspicious local sheriff, as well as the advances of a female FBI investigator, he must uncover the killer before he or she strikes again, further implicating him in the crime.
A woman escapes from the man who is about to rape her, but leaves her purse behind. Afraid that her attacker might come after her, she goes to the police, but with no proof of the incident, they can do nothing. In fact, the man does use the information in her bag and comes to her apartment with the intent of rape, but she sprays him in the face with insect repellent, and then holds him captive. She is then faced with deciding whether to go to the police who might not believe her and release him, or to kill him.
Ophelia comes of age as lady-in-waiting for Queen Gertrude, and her singular spirit captures Hamlet’s affections. As lust and betrayal threaten the kingdom, Ophelia finds herself trapped between true love and controlling her own destiny.