Chief Inspector Jacques Clouseau is dead. At least that is what the world (and Charles Dreyfus) believe when a dead body is discovered in Clouseau’s car after being shot off the road. Naturally, Clouseau knows differently, and taking advantage of not being alive, sets out to discover why an attempt was made on his life.
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Rousku and Raninen are fleeing their unemployment by setting up a construction company. Occupational illiteracy is not an obstacle and accounting is fine when Rouskun’s mate deals with things. The entrepreneurs know that the poor can be, but not artificial. But what’s the point for the scratchy women? Especially when Rousku gets to look in the mirror again and find out what kind of father, such a daughter.
David Hyde Pierce, playing an alien (credited as infinity-cubed in the opening credits), narrates a courtship in a late-20th century American city as an extraterrestrial nature documentary. The relationship “footage” is played straight, while the voice-over (with its most often wildly inaccurate theories) and elaborate visual metaphors add comedy.
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