Suffering from a severe case of depression, toy company CEO Walter Black (Mel Gibson) begins using a beaver hand puppet to help him open up to his family. With his father seemingly going insane, adolescent son Porter (Anton Yelchin) pushes for his parents to get a divorce. Jodie Foster directs and co-stars as Walter’s wife in this dark comedy that also features Riley Thomas Stewart and Jennifer Lawrence.
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In the future, an oppressive government maintains control of public opinion by outlawing literature and maintaining a group of enforcers known as “firemen” to perform the necessary book burnings. Fireman Montag begins to question the morality of his vocation. Curious about the world of books, he soon falls in love with a beautiful young member of a pro-literature underground – and with literature itself.
Autumn is a beautiful transfer student who goes undercover as a cheerleader to do an exposé on the cruel culture of the squad for her school newspaper. But when someone begins viciously attacking cheerleaders, she starts to fear for her own life.
The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology.
A lawyer conducts business from the back of his Lincoln town car while representing a high-profile client in Beverly Hills.
Death Billiards is one of the four anime works that each received 38 million yen (about US$480,000) from the “2012 Young Animator Training Project.” Just like in 2010 and 2011, the animation labor group received 214.5 million yen (US$2.65 million) from the Japanese government’s Agency for Cultural Affairs, and it distributed most of those funds to studios who train young animators on-the-job. An old and a young man find themselves in a mysterious bar where they have to play a game of billiard. The bet: their lives.
The story is about Amber, a mean popular girl who gets electrocuted and dies and is not allowed to enter into heaven unless she helps the least popular girl in school become Prom Queen within a week, but things do not go as planned.
A high school transfer student finds a new passion when she begins to work on the school’s newspaper.
The film is based on a true story: the tragic life of China’s first prima donna of the silver screen, Ruan Lingyu. This movie chronicles her rise to fame as a movie actress in Shanghai during the 1930s. Actress Maggie Cheung portrayed Ruan in this movie. Nicknamed the “Chinese Garbo,” Ruan Lingyu began her acting career when she was 16 years old and committed suicide at age 24. The film alternates between present scenes (production talks between director Kwan, Cheung, and co-star Carina Lau, interviews of witnesses who knew Ruan), re-creation scenes with Cheung (as Ruan, acting inside this movie), and extracts from Ruan’s original films including her final two films The Goddess and New Women.
It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio, and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.
A man wakes up in an alley, bleeding and with no memory of who he is. He stumbles into a coffee shop and is befriended by a charitable ex-nun who is failing in her attempts to write marketable pornography.
