A college graduate goes to work as a nanny for a rich New York family. Ensconced in their home, she has to juggle their dysfunction, a new romance, and the spoiled brat in her charge.
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Womanizing workaholic Neil returns to Michigan to reunite with his brother after their father dies. As they try to sell the family home, their interactions are as chilly as the frost-covered February landscape. But Neil’s facade thaws under the glow of his brother’s charismatic fiancée. Chicago writer-director Patrick Underwood crafts a big-hearted romantic melodrama about rebuilding.
A crime family becomes entangled in a vicious gang war while a serial killer cuts a swath through Tokyo.
James Stewart plays aeronautical engineer Theodore Honey, the quintessential absent-minded professor: eccentric, forgetful, but brilliant. His studies show that the aircraft being manufactured by his employer has a subtle but deadly design flaw that manifests itself only after the aircraft has flown a certain number of hours. En route to a crash site to prove his theory, Honey discovers that he is aboard a plane rapidly approaching his predicted deadline.
Melody, high powered corporate workaholic for a retail conglomerate, is happy to spend the holidays jet-setting with her girlfriends. However, she’s in for an unpleasant surprise when her boss sends her to her sleepy hometown to convince the reluctant townspeople to allow them to build a new discount store. Now, forced to reconnect with her family and her childhood sweetheart Carter, her task is not so simple, as all are vehemently opposed to everything Melody’s company stands for. Desperate to get out of town and back to her real life, Melody takes a spill and wakes up in an alternate universe where she never left home and is married to Carter! Once determined to leave her small town life behind, Melody must make sense of her new life and decide if you truly can go home again. – Written by ABC
Drama documentary based on Bill O’Reilly’s and Martin Dugard’s 2012 non-fiction book “Killing Kennedy: The End of Camelot”. It follows the parallel lives of John F. Kennedy and Lee Harvey Oswald from the winter 1959-1960 to those fatal days in Dallas in November 1963, when they both died within two days after each other and were buried on the same day – John F. Kennedy in a state funeral in Washington D.C., broadcast live both to Europe and the Pacific, while Oswald was buried in Forth Worth at a small funeral where the attending reporters were asked to act as pallbearers.
Time travelers from the 23rd century return to 1992 to warn Japan that Godzilla will cause a catastrophic nuclear incident in the 21st century and suggest a way to rid the world of him forever. They intend to go back to 1944, to Ragos Island, where a dinosaur was exposed to radiation from the Bikini H-Bomb test and became Godzilla. Upon completion of this task, King Gidorâ appears in 1992 and the visitors’ true plan is discovered. They wish to destroy Japan so it will not become the dominant economic force. Luckily for the Japanese, Godzilla was still created and will now fight Gidorâ.
A modern-day renaissance man, Schaub is a former footballer, retired MMA fighter and current podcast host. Now, he adds another achievement to his resume. He takes to the stage to tell his tales in his first-ever stand-up comedy special.
A documentary crew starts to make a documentary about an Auto Rickshaw driver in Mumbai. As they dig deeper into his life they discover angst, sexual frustration and paranoia that leads to a terrible end.
Former Australian Intelligence operative Victoria Dev Ries, lives a quiet life in suburban America where as a single mother she raises her only daughter and trains fighters in her own M.M.A. gym. But when her daughter goes on a camping trip and fails to return, she is forced to go back into action.
Living with her snobby family on the brink of bankruptcy, Anne Elliot is an unconforming woman with modern sensibilities. When Frederick Wentworth – the dashing one she once sent away – crashes back into her life, Anne must choose between putting the past behind her or listening to her heart when it comes to second chances.
Brimming with action while incisively examining the nature of truth, “Rashomon” is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man’s murder and the rape of his wife.
