Bay Area Chef, Mark Matheson has everything he ever wanted: A Restaurant of his own, the love of his girlfriend, Gillian and the respect of the culinary community. But in the wake of bad press and personal demons returning to haunt him, Mark struggles to hold onto everything. Before he can be called great, he’ll have to learn to be okay, again.
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Liu Yifei plays Elso, a reputed French flutist who travels from Paris to Chengdu. Her life is compared to the one of a night peacock, an eternal conflict between life and death, love and time. A night peacock, by Fabre’s definition, is a moth with the life goal of finding their soul mate.
Marco Vasquez and his family have seen tragedy and despair throughout their lives at the hands of an evil entity. Now that Marco is about to start a family of his own, he is forced to return to his childhood home where it all began to put a stop to it once and for all.
Tom Ripley – cool, urbane, wealthy, and murderous – lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin’s underworld pays a call asking Ripley’s help in killing a rival. Ripley – ever a student of human nature – initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who’s dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?
A period drama set in the early years of the 20th century. Josef, a former construction worker who delighted in dancing on girders high above the city, who now sweeps up at the circus. Once the big top’s owner spots the young roustabout defying gravity on the trapeze, however, he endeavors to pair Josef with his aerialist daughter Alice in a perilous sky-high pas de deux. Offers a romantic view of big top life, with a moth-eaten angel in his feathered, tattered costume.
It took Anna 10 years to recover from the death of her husband, Sean, but now she’s on the verge of marrying her boyfriend, Joseph, and finally moving on. However, on the night of her engagement party, a young boy named Sean turns up, saying he is her dead husband reincarnated. At first she ignores the child, but his knowledge of her former husband’s life is uncanny, leading her to believe that he might be telling the truth.
After his eldest son is murdered in a gangland hit, an absentee father desperately tries to protect what’s left of the shattered family he abandoned.
In Los Angeles, Emily Brown is a kleptomaniac and addicted in pills that misses her father and is having therapy sessions trying to resolve her compulsion. She has a record in the police for shoplifting, and her mother Teresa is a compulsive shopper. The security guard Nick of the Bernstein’s department store sees Emily through a camera and becomes fascinated for her. When Nick gets in trouble dealing ecstasy, he presses Emily to help him in a robber of Bernstein.
Madea dispenses her unique form of holiday spirit on rural town when she’s coaxed into helping a friend pay her daughter a surprise visit in the country for Christmas.
Rival house flippers, Jules Briggs (Julie Gonzalo) and Lance Waddell (Tyler Hynes), renovate dual sides of a duplex and rekindle an old romance.
Just before Anne is moving from Amsterdam to live with her great love Sara in Montreal, her publisher criticizes the manuscript for her first novel. What exactly is the story she’s trying to tell? Does she even have something to say at all? Anne is forced to search for what she wants in life, because it is not only the main character in her novel who seems to be a little lost.
A withdrawn young man, Leland Fitzgerald is imprisoned for the murder of a mentally disabled boy, who also happened to be the brother of his girlfriend, Becky. As the community struggles to deal with the killing, Pearl Madison, a teacher at the prison, decides to write about Leland’s case. Meanwhile, others affected by the murder, including Becky and her sister, Julie, must contend with their own problems.