As a young scientist searches for a way to save a dying Earth, she finds a connection with a man who’s racing to catch the last shuttle off the planet.

One suspects writer-director Carol Lai may have harboured some Black Swan ambitions with a tale that also centers around a stage practitioner who embarks on an unwitting destructive journey when playing a role to die for. The Second Woman, whose Chinese title Romance Riddle may hold better clues as to how this film developed, being more of a guessing game that threw constant clues rather than a overly romantic film about twins falling in love with a man who decided it’s perfectly OK to string both women along, until he discovers that this spells double trouble.

A panicked young woman and her two best friends fly to Mexico to delete a ranting email she sent to her new boyfriend. On arrival, they run into her former beau, who soon gets caught up in their frantic scheme.

With a reputation for seducing members of the opposite sex, regardless of their marital status, a notorious womanizer discovers a beauty who seems impervious to his charms. However, as he continues to pursue the indifferent lady, he finds himself falling in love.

Malik (Omar Epps) is an African-American student attending on a track scholarship; academics are not his strong suit, and he goes in thinking that his athletic abilities will earn him a free ride through college. Fudge (Ice Cube), a “professional student” who has been at Columbus for six years so far, becomes friendly with Malik and challenges his views about race and politics in America.

As Michelle’s wedding approaches, Hannah steps up to help finish the launch of the new Evergreen museum while questioning her relationship and future with Elliot.

Three women set out to find eligible millionaires to marry, but find true love in the process.

Pearl is a typical sixteen-year-old vampire. Fond of blood, allergic to the sun, and generally pretty evil. But after a mysterious attack leaves her able to survive in the daylight, everything changes. Pearl’s powerful family soon finds a way to take advantage of her new ability: they send Pearl to high school, to gather fresh young blood for an upcoming feast in honor of the Vampire King. The only problem? Pearl’s starting to grow a conscience. How can she serve up her new friends — especially the cute guy who makes her fangs ache — to be slaughtered? Then again, she’s definitely dead if she lets her family down. What’s a sun-loving vamp to do?

Head On is German director Fatih Akin’s story of the alcoholic Cahit and Turkish Sibel. Akin tells the story of a love that can never be between two people who are too alike to not be together.

Bhanumathi (Sai Pallavi) is a village belle who has some ideologies. She doesn’t want to go away from her village after the marriage. She says she will only marry a person who is okay with it. Her sister gets married to an NRI. His brother is Varun (Varun Tej), a medico who doesn’t like to stay in India. The couple fall in love but they cannot be together for obvious reasons. Egos comes to the fore and the gap widens.

US multi-millionaire Michael Barndon marries his eight wife, Nicole, the daughter of a broken French Marquis. But she doesn’t want to be only a number in the row of his ex-wives and starts her own strategy to “tame” him.

Adam Goldberg delivers “an uproarious study in transatlantic culture panic” as Jack, an anxious, hypochondriac-prone New Yorker vacationing throughout Europe with his breezy, free-spirited Parisian girlfriend, Marion. But when they make a two-day stop in Marion’s hometown, the couple’s romantic trip takes a turn as Jack is exposed to Marion’s sexually perverse and emotionally unstable family.