Warren Miller’s Flow State is a place of such singular focus and connection with the environment that, in this place, the faster you ride, the slower time passes. The Flow State exists anywhere crisp winter air shocks your lungs and sunlight refracts snowflakes, allowing you to emerge from this state improved – happier, more confident and more aware of your surroundings. So buckle up, because Warren Miller’s 63rd film will take you into the zone…the moment…the groove…the center…the Flow State.
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An overenthusiastic high-school maintenance man attempts to lead an unlikely group of misfits to the Nebraska state tennis championship in Balls Out: The Gary Houseman Story? director Danny Leiner’s underdog sports comedy. American Pie star Seann William Scott stars as the ambitious janitor who believes he has what it takes to coach the winning team.
Cassette inventor Lou Ottens digs through his past to figure out why the audiotape won’t die. Rock veterans join a legion of young bands releasing music on tape to push Lou along on his journey to remember.
An undaunted look into the cam business from performers and clients to website and studio owners.
In 2019, Nepalese mountain climber Nirmal “Nims” Purja set out to do the unthinkable by climbing the world’s fourteen highest summits in less than seven months. (The previous record was eight years). He called the effort “Project Possible 14/7” and saw it as a way to inspire others to strive for greater heights in any pursuit. The film follows his team as they seek to defy naysayers and push the limits of human endurance.
This is a film about the power and necessity of community action in Detroit, and the street level solutions that residents there are finding to make a way in the biggest city in our nation to ever go bust.
Jim Morris never made it out of the minor leagues before a shoulder injury ended his pitching career twelve years ago. Now a married-with-children high-school chemistry teacher and baseball coach in Texas, Jim’s team makes a deal with him: if they win the district championship, Jim will try out with a major-league organization. The bet proves incentive enough for the team, and they go from worst to first, making it to state for the first time in the history of the school. Jim, forced to live up to his end of the deal, is nearly laughed off the try-out field–until he gets onto the mound, where he confounds the scouts (and himself) by clocking successive 98 mph fastballs, good enough for a minor-league contract with the Tampa Bay Devil Rays. Jim’s still got a lot of pitches to throw before he makes it to The Show, but with his big-league dreams revived, there’s no telling where he could go.
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On the verge of achieving his dream career, Tomás allows his older brother Martin Farina an inside look at his life as a professional football player. Martin, never able to fulfill his own dream of playing football, steps into the world of Tomás and his teammates through the lens of his camera. However, the rest of the club has their own opinions, some viewing Martin as an intruder, as he exposes their most vulnerable moments, and their concerns for the future after the game has ended. Fulboy offers an uncensored, confessional look at how the athletes behind the most popular sport in the world behave during their time off the field. At the same time, Fulboy reflexively interrogates Farina’s aesthetic choices and point-of-view, as well as the viewer’s gaze at the male form.
The hospitality industry is the artistic heartbeat of New York. Thousands of artists, musicians, and actors flock to Queens to work in the service industry to supplement their dreams. In March of 2020 these dreamers put their lives on hold, self- isolating and sacrificing their income as Queens became the global epicenter of COVID-19. LAST CALL follows two local bars and frontline workers in a tale of two sacrifices that saved not only the lives of thousands but also the future of New York.
Camp Beaverton is the Home for Wayward Girls, the only queer, all women, trans-inclusive, sex positive theme camp set within Burning Man, an 8-day experimental art festival that encourages radical self expression found deep within the Nevada desert. The Beavers create a safe space to explore their boundaries while they build a community of friendship, trust, and lifelong relationships.
The Future Doesn’t Need Us… Or So We’ve Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn’t just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?
In 1980, the United States Ice Hockey team’s coach, Herb Brooks, put a ragtag squad of college kids up against the legendary juggernaut from the Soviet Union at the Olympic Games. Despite the long odds, Team USA carried the pride of a nation yearning for a distraction from world events. With the world watching, the team rose to the occasion, prompting broadcaster Al Michaels’ now famous question to the millions viewing at home: “Do you believe in miracles?” Yes!