A unique mix of editorial integrity, first-person storytelling and dynamic visual elements focusing on Vanity Fair’s most fascinating stories and compelling scandals.
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Explores the experiences of James Safechuck and Wade Robson, who were both befriended and sexually abused by singer Michael Jackson, and the complicated feelings that led them both to confront their experiences.
A disgraced, 75-year-old ex-sheriff, whose life ends at the hands of corrupt cops, is brought back to life and given a second chance by a pair of young tech scientists, as a 35-year-old with unpredictable near-superhuman abilities.
During an experiment gone bad, radiation turns a scientist into a raging green behemoth whenever he becomes agitated. Unable to control his transformations, David Banner searches for a cure as he crosses the country, fugitive-style, with a dogged tabloid reporter on his trail.
Robert McCall is a former agent of a secret government agency who is now running his own private crime fighting operation where he fashions himself as “The Equalizer”. It is a service for victims of the system who have exhausted all possible means of seeking justice and have nowhere to go. McCall promises to even out the odds for them.
The Story of Film: An Odyssey is a documentary series about the history of film, presented on television in 15 one-hour chapters with a total length of over 900 minutes. It was directed and narrated by Mark Cousins, a film critic from Northern Ireland, based on his 2004 book The Story of Film.
The series was broadcast in September 2011 on More4, the digital television service of UK broadcaster Channel 4. The Story of Film was also featured in its entirety at the 2011 Toronto International Film Festival, and it was exhibited at the Museum of Modern Art in New York City in February 2012. It was broadcast in the United States on Turner Classic Movies beginning in September 2013.
The Telegraph headlined the series’ initial broadcast in September 2011 as the “cinematic event of the year”, describing it as “visually ensnaring and intellectually lithe, it’s at once a love letter to cinema, an unmissable masterclass, and a radical rewriting of movie history.” An Irish Times writer called the program a “landmark”.
In February 2012, A. O. Scott of The New York Times contrasted the project with its “important precursor”, Jean-Luc Godard’s Histoire du cinéma. In contrast to the Godard project, which Scott called “personal, polemical and sometimes cryptic”, Scott described Cousins’ film as “a semester-long film studies survey course compressed into 15 brisk, sometimes contentious hours” that “stands as an invigorated compendium of conventional wisdom.” He also commended its “refusal to be nostalgic”.
Women establish a sisterhood as they spend time together behind bars.
Families, friends, enemies and lovers experience life-changing events in the large upstate New York city of Port Charles, which has a busy hospital, upscale hotel, cozy diner and dangerous waterfront frequented by the criminal underworld.
A behind-the-scenes look at the people who make a nightly cable-news program. Focusing on a network anchor, his new executive producer, the newsroom staff and their boss, the series tracks their quixotic mission to do the news well in the face of corporate and commercial obstacles-not to mention their own personal entanglements.