Charlotte Hope
In the week that follows Princess Diana’s tragic death on 31 August 1997, four separate stories unfold as four ordinary lives are all affected in different ways in this commemorative drama from writer Jeremy Brock and director Peter Cattaneo.
When a young nun at a cloistered abbey in Romania takes her own life, a priest with a haunted past and a novitiate on the threshold of her final vows are sent by the Vatican to investigate. Together they uncover the order’s unholy secret. Risking not only their lives but their faith and their very souls, they confront a malevolent force in the form of the same demonic nun that first terrorized audiences in “The Conjuring 2,” as the abbey becomes a horrific battleground between the living and the damned.
The inspiring true story of Seretse Khama, the King of Bechuanaland (modern Botswana), and Ruth Williams, the London office worker he married in 1948 in the face of fierce opposition from their families and the British and South African governments. Seretse and Ruth defied family, Apartheid and empire – their love triumphed over every obstacle flung in their path and in so doing they transformed their nation and inspired the world.
The friendship between two life-long girlfriends is put to the test when one starts a family and the other falls ill.
For decades the criminal underworlds of the North and South bumped along begrudgingly. Like the Cold War, territories were respected out of the necessity to avoid apocalypse, with each side keeping tabs on the other’s capability. Such a precarious false harmony could not last forever. Now someone has crossed the line, and there’s no going back. An illicit love affair smolders, breaking taboo and threatening catastrophe at the smallest mistake. It is a romance of purest, unadulterated love, yet so forbidden that its discovery would wreak total carnage. The story is told through vignettes of strikingly original characters, with intertwining subplots that echo the complexity of life in the dog-eat-dog criminal underworld.
