Herman owes a lot of gambling debts. To pay them off, he promises the mob he’ll fix a horse, so that it does not run. He intends to trick his animal-loving cousin, Virgil, an apprentice veterinarian, into helping him. Of course, he doesn’t tell Virgil what he is really up to. Mistaken identities are assumed, while along the way, Virgil meets a female vet and Herman falls for the owner of the horse. Goons and mobsters are also lurking around; so beware!
An investigative Journalist thinks she’s found a killer, and breaks into his place to find the evidence. Only when he come’s back it becomes a game of cat and mouse with deadly consequences.
Since the early days, Jerry Lewis – in the line of Chaplin, Keaton and Laurel – had the masses laughing with his visual gags, pantomime sketches and signature slapstick humor. Yet Lewis was far more than just a clown. He was also a groundbreaking filmmaker whose unquenchable curiosity led him to write, produce, stage and direct many of the films he appeared in, resulting in such adored classics as The Bellboy, The Ladies Man, The Errand Boy, and The Nutty Professor.
After fighting for their country in the Army, friends Chris and Johnny return to South London only to find their home town has changed beyond recognition. With no jobs the two join local gangs, work their way to the top and become feared hooligan bosses. The only thing that can top war, and threaten friendships, is money and power, but who will stand their ground and come out on top in the violent and bloody battle between North and South?
Essex has been the central hub for many famous criminal activities. For generations Essex Boys have ruled the streets of Essex and East London in their underworld empires. Many people thought this ended in a Range Rover in 1995. They were wrong… Danny – an ex hooligan is driven back into a life of crime after his world is turned upside down on the streets of Essex.
A cross-country road race is based on an actual event, the Cannonball Baker Sea to Shining Sea Memorial Trophy Dash, organized by Brock Yates to protest the 55 mph speed limit then in effect in the U.S. The Cannonball was named for Erwin G. “Cannonball” Baker, who in the roaring 20’s rode his motorcycle across the country. Many of the characters are based on ruses developed by real Cannonball racers over the several years that the event was run.
Count Contini masterminds the theft of $1 billion in U.S. gold being transported in Europe. This will cause gyrations in the world’s financial markets, and Contini will profit from it. ICE chief MacDonald summons Matt Helm, “busy” photographing women models. MacDonald, in effect, makes Matt a Judas Goat, exposing his cover and encouraging Contini to make a move against Matt. The ICE agent will deal with Contini’s former lover, current lover, a British woman agent, and Contini’s lovely Asian operative before the final showdown with the Count.
Posing as a hangman, Mace Bishop arrives in town with the intention of freeing a gang of outlaws, including his brother, from the gallows. Mace urges his younger brother to give up crime. The sheriff chases the brothers to Mexico. They join forces, however, against a group of Mexican bandits.
The Louisiana wedding of debutante Phoebe Ann Naylor to Don Andrea de Baldasar, El Duce de la Casala is stopped by the Cavalry over a matter of honor. Don Andrea flees across the river to Texas, where he meets up with Sam Hollis and his Indian sidekick, Kronk, who are carrying rifles to the town of Moccasin Flats. Don Andrea rescues an Indian maiden, Lonetta, tames some longhorns, competes with Sam for Phoebe’s affections, eludes a Comanche war party and the cavalry (who have come to Moccasin Flats to celebrate Texas’ statehood) and ultimately saves the town and gets his girl.
The Elder boys return to Clearwater, Texas for their Mother’s funeral. John the eldest is a well known gunfighter and trouble follows him wherever he goes. The boys try to get back their ranch from the towns gunsmith who won it from their father in a card game with which he was shortly murdered there after but not before getting through the troubles that come with the Elders name
In prohibition-era Chicago, the corrupt sheriff and Guy Gisborne, a south-side racketeer, knock off the boss Big Jim. Everyone falls in line behind Guy except Robbo, who controls the north side. Although he’s out-gunned, Robbo wants to keep his own territory. A pool-playing dude from Indiana and the director of a boys’ orphanage join forces with Robbo; and, when he gives some money to the orphanage, he becomes the toast of the town as a hood like Robin Hood. Meanwhile, Guy schemes to get rid of Robbo, and Big Jim’s heretofore unknown daughter Marian appears and goes from man to man trying to find an ally in her quest to run the whole show. Can Robbo hold things together?
Based on the successful 1956 Broadway production of the same name by Betty Comden, Adolph Green, and Jule Styne, the film focuses on Ella Peterson, who works in the basement office of Susanswerphone, a telephone answering service. Peterson, based on Mary Printz, who worked at Green’s service, listens in on others’ lives and adds some interest to her own humdrum existence by adopting different identities for her clients. They include an out-of-work Method actor, a dentist with musical yearnings, and in particular playwright Jeffrey Moss, who is suffering from writer’s block and desperately needs a muse.
The sheriff of a small town in southwest Texas must keep custody of a murderer whose brother, a powerful rancher, is trying to help him escape. After a friend is killed trying to muster support for him, he and his deputies – a disgraced drunk and a cantankerous old cripple – must find a way to hold out against the rancher’s hired guns until the marshal arrives. In the meantime, matters are complicated by the presence of a young gunslinger – and a mysterious beauty who just came in on the last stagecoach.
Two former nightclub partners are now enlisted in the Army. Sergeant Puccinelli ranks above his former partner, Private First Class Korwin. Puccinelli is desperately trying to get transferred from his dull job to active duty overseas. Meanwhile, all Korwin wants is a pass to see his wife and new baby.
This black comedy opens with Louisa Foster donating a multimillion dollar check to the IRS. The tax department thinks she’s crazy and sends her to a psychiatrist. She then discusses her four marriages, in which all of her husbands became incredibly rich and died prematurely because of their drive to be rich.