James Murphy

What Difference Does It Make? A Film About Making Music

What Difference Does It Make? A Film About Making Music

What Difference Does It Make? A Film About Making Music

IMDb: 7.0
2014
95min

A documentary that explores the challenges that a life in music can bring.

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Breadcrumb Trail

Breadcrumb Trail

Breadcrumb Trail

IMDb: 8.2
2014
90min

“My new feature length documentary Breadcrumb Trail is about Slint and the Louisville music culture they emerged from. It includes footage going back to the early 1990s that I shot when repeatedly driving up from Athens, GA to Louisville to try to chase rumors of what they guys were up to. Over the years I tracked down more stories about them, then began filming interviews with each of the band members and their contemporaries. We also unearthed some unseen/uncirculated footage from their few live performances as well as the writing and arranging of Spiderland.”

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Shut Up and Play the Hits

Shut Up and Play the Hits

Shut Up and Play the Hits

IMDb: 7.4
2012
105min

On April 2nd 2011, LCD SOUNDSYSTEM played its final show at Madison Square Garden in New York City. LCD Frontman James Murphy, disbanding one of the most celebrated and influential groups of its generation at the peak of its popularity, ensured that the band would go out on top with the biggest concert of its career. The instantly sold out, near four-hour extravaganza featured special appearances by Arcade Fire and Reggie Watts and moved the crowd of thousands to tears of joy and grief. SHUT UP AND PLAY THE HITS both captures this once-in-a-lifetime event with stunning visuals and serves as an intimate portrait of Murphy as he navigates the 48 hours surrounding the show. Woven throughout is an honest and unflinching conversation between Murphy and author Chuck Klosterman as they discuss music, art, aging, and the decision to call it quits while at the top of your game.

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The Comedy

The Comedy

The Comedy

IMDb: 6.5
2012
95min

Indifferent even to the prospects of inheriting his father’s estate, Swanson has been insulated his whole life by the bubble of privilege. He and his hipster friends live in a tepid social paradise, a.k.a. Williamsburg, where their good fortune breeds indifference and recreational cruelty. They pacify their discontent with games of mock sincerity and irreverence, as though humor itself were dying and had nothing left to do but turn on itself. Testing limits to break through their numbness, they act out like spoiled children – with ironic beards and beer bellies.

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