A film director, Jean, his producer, Marc, and his assistant, Lucette, board the Trans-Europ-Express in Paris bound for Antwerp. Once in their compartment it occurs to them that the drama of life aboard the train presents possibilities for a film, and they begin to write a script about dope smuggling. Subsequently, they see actor Jean-Louis Trintignant walking through the station. As seen through the eyes of Jean, Marc, and Lucette, Trintignant becomes Elias, the chief character in the script. Elias is going to Antwerp to pick up a suitcase of cocaine for delivery to an international organization based in Paris.

An old count hides just before he dies to annoy his heirs. The heirs search a manor for the count’s body and are killed off one by one. Jean-Marie, his fiancée Micheline, and Edwige investigate the deaths and search for the count’s body.

A love triangle develops between three people who run a high tech chicken farm. It involves Anna (who owns the farm), her husband Marco (who kills prostitutes in his spare time) and Gabriella (the very beautiful secretary). Marco continues to kill as jealousy becomes more prevalent on the farm.

A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.

A middle-class family living in Calais deal with a series of setbacks while paying little attention to the grim conditions in the refugee camps within a few miles of their home.

Repression is the rule of the day in this film that skewers Greek governance of the 1960s. Z, a leftist rabble rouser, is killed in what appears to be a traffic accident. But given the political climate, the death of such a prominent activist raises troubling questions. Though it’s too late to save Z’s life, a postmortem examination suggests that the ruling party was behind his death. As the facts leak out, those who tell the truth pay the price for their honesty.

The rigid principles of a devout Catholic man are challenged during a one-night stay with Maud, a divorced woman with an outsize personality.

Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has a stroke, and the couple’s bond of love is severely tested.

Red This is the third film from the trilogy by Kieślowski. “Red” meaning brotherliness. Here Kieślowski masterly tells strange coincidentally linked stories in the most packed work.

Three U.S. journalists (Nick Nolte, Joanna Cassidy, Gene Hackman) get too close to one another and their work in 1979 Nicaragua.

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer of 1962. They will spend two days together, meet both Roberto’s and Bruno’s family. The time Roberto spends with Bruno is a hilarious, but sometimes emotionally merciless accelerated maturization process. While Bruno’s easy going “l’usage du monde” and societal success attract Roberto’s great admiration, he also slowly realizes Bruno’s hollowness, superficiality and unhappiness.