Lars Mikkelsen
The Killing is a Danish police procedural set in the Copenhagen main police department and revolves around Detective Inspector Sarah Lund and her team, with each season series following a different murder case day-by-day and a one-hour episode covering twenty-four hours of the investigation. The series is noted for its plot twists, season-long storylines, dark tone and for giving equal emphasis to the story of the murdered victim’s family alongside the police investigation. It has also been singled out for the photography of its Danish setting, and for the acting ability of its cast.
40-year old political leader Birgitte Nyborg secures her party a landslide victory through her idealism and huge effort, then faces the biggest challenge of her life: how most effectively to use the newly won seats, and how far she is willing to go in order to gain as much influence as possible.
The Witcher is an American fantasy drama web television series created by Lauren Schmidt Hissrich for Netflix. It is based on the book series of the same name by Polish writer Andrzej Sapkowski. The Witcher follows the story of Geralt of Rivia, a solitary monster hunter, who struggles to find his place in a world where people often prove more wicked than monsters and beasts. But when destiny hurtles him toward a powerful sorceress, and a young princess with a special gift, the three must learn to navigate independently the increasingly volatile Continent. Written by aaltaiawy
A brother odyssey set in a workers’ environment during a cold winter. We follow two brothers – their routines, habits and rituals – and a violent feud that erupts between them and another family.
The young woman, Marie, is an outsider in the small coastal community where she has grown up. The townspeople live in fear of her and not least her mother, who is wheelchair bound, suffering from a mysterious illness. When Marie discovers her body changing – long hair growing on her chest and back – she begins searching for answers concerning her family’s hidden past. Something that will have great consequences for herself and her family – and the choices she has to make.
In a desolate future, one small town has survived because of a large windmill dam that acts as a fan to keep out pollution. The dam’s operator, Pig, works tirelessly to keep the sails spinning and protect the town, despite abuse from classmates and an indifferent public. When a new student joins Pig’s class, nothing will be the same again.
Due to climate change a new race of flesh eating predators arise, who invade and eat everything living on earth. In a residential neighbourhood in a Danish suburb nightmare like scenes are being experienced first hand through the eyes of two teenage brothers, who can’t stand each other, but are now suddenly forced to barricade themselves in the basement together, to avoid getting eaten. From one day to another, without parents and without electricity, food, water and contact to other people, the brothers have to learn to live together in their vital protection bunker, while monsters move past the basement windows and heavy, sharp claws can be heard moving around upstairs on the wooden floors.
The story centers on a family of priests: Johannes, Elisabeth and their sons August and Christian. Johannes is God-like to his sons – he gives, loves, and punishes. His favoritism for August and his disappointment with Christian forces both into making desperate choices in order to either gain his love or break free from him.
Set in the blooming 1960s, the film centres around two young brothers who are instantly robbed of their lives when they are placed in a boy’s home forgotten by time. Armed only with a vivid imagination and a fickle hope, the boys engage in the frightening battle against Headmaster Heck and his lethal tyranny. The film is based on actual events.
In the early morning of April 9th 1940 the Danish army is alerted. The Germans have crossed the border; Denmark is at war against Europe’s strongest army. In Southern Jutland Danish bicycle- and motorcycle companies are ordered out, to against all odds, hold back the forces until the Danish reinforcements can be mobilized. In the fatal hours, we follow second lieutenant Sand and his bicycle company – they will as the first Danish soldiers meet the enemy in combat on April 9th 1940.
In the mean streets of London’s East End, a former Serbian commando and a fourteen-year old boy plot revenge against a powerful crime lord and his ruthless lieutenants. As our heroes prepare to take on their enemies, the boy is mentored in the dark arts of assassination and learns the true meaning of friendship, honor and respect.
Ronal is a young barbarian with low self-esteem, the polar opposite of all the muscular barbarians in his village. He’s a real wuss. However, as fate would have it, responsibility for the tribe’s survival falls on Ronal’s scrawny shoulders, when the evil Lord Volcazar raids the village and abducts every living barbarian with the exception of Ronal, who is forced to go on a perilous quest to save his enslaved clan and thwart Volcazar’s plot to rule the world. Along the way, our unlikely hero is joined by Alibert the buttery bard, Zandra the gorgeous shield-maiden and Elric the metrosexual elfin guide. To ultimately vanquish the enemy, the band must overcome awesome challenges.
During Nazi occupation, red-headed Bent Faurschou-Hviid (“Flame”) and Jørgen Haagen Schmith (“Citron”), assassins in the Danish resistance, take orders from Winther, who’s in direct contact with Allied leaders. One shoots, the other drives. Until 1944, they kill only Danes; then Winther gives orders to kill Germans. When a target tells Bent that Winther’s using them to settle private scores, doubt sets in, complicated by Bent’s relationship with the mysterious Kitty Selmer, who may be a double agent. Also, someone in their circle is a traitor. Can Bent and Jørgen kill an über-target, evade capture, and survive the war? And is this heroism, naiveté, or mere hatred?