Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

Five beautiful but mysterious women move in with unsuccessful novelist Shin, who manages their odd household in exchange for a tidy monthly sum.

Hatori Matsuzaki (Mirei Kiritani) is a female high school student. She has a crush on her childhood friend Rita Terasaka (Kento Yamazaki) and believes he will eventually choose her as her heroine, but Rita Terasaka begins dating Miho Adachi. Meanwhile, the most popular male student, Kosuke Hiromitsu (Kentaro Sakaguchi) takes an interest in Hatori Matsuzaki.