Natasha Richardson
A woman becomes very curious about one of her psychiatrist husband’s inmates, a man who was found guilty in the murder and disfigurement of his former wife.
The last movie from the team of Ismail Merchant, James Ivory, and Kazuo Ishiguro. Set in 1930s Shanghai, “The White Countess” is both Sofia (Natasha Richardson), a fallen member of the Russian aristocracy, and a nightclub created by a blind American diplomat named Jackson (Ralph Fiennes), who asks Sofia to be the centerpiece of the world he wants to create.
Set in the early 1920s, the film follows Tom Birkin, who has been employed to carry out restoration work on a Medieval mural discovered in a church in the small rural community of Oxgodby, Yorkshire. The escape to the idyllic countryside is cathartic for Birkin, haunted by his experiences in World War I. Birkin soon fits into the slow-paced life of the remote village, and over the course of the summer uncovering the painting begins to lose his trauma-induced stammer and tics.
Marisa Ventura is a struggling single mom who works at a posh Manhattan hotel and dreams of a better life for her and her young son. One fateful day, hotel guest and senatorial candidate Christopher Marshall meets Marisa and mistakes her for a wealthy socialite. After an enchanting evening together, the two fall madly in love. But when Marisa’s true identity is revealed, issues of class and social status threaten to separate them. Can two people from very different worlds overcome their differences and live happily ever after?
Hallie Parker and Annie James are identical twins separated at a young age because of their parents’ divorce. unknowingly to their parents, the girls are sent to the same summer camp where they meet, discover the truth about themselves, and then plot with each other to switch places. Hallie meets her mother, and Annie meets her father for the first time in years.