The L Word is an American co-production television drama series portraying the lives of a group of lesbian, bisexual, and transgender people and their friends, family and lovers in the trendy Greater Los Angeles, California city of West Hollywood. The show originally ran on Showtime from 2004 to 2009, and subsequently in syndication on Logo and through on-demand services.
Kate Reed is a firm believer that justice can always be found–even if it’s not always in the courtroom. Once a lawyer at her family’s esteemed San Francisco firm, Kate’s frustration with the legal system led her to a new career as a mediator. Thanks to her innate understanding of human nature, thorough legal knowledge, and winning smile, Kate is a natural when it comes to dispute resolution. Except, it seems, when it comes to conflicts in her own life.
Jack Harriman becomes a spiritual celebrity after debunking Reverend Guy Roy on a public-access TV show. While on the road speaking his brand of truth, forces natural and supernatural lead him to question whether he has a deeper calling.
Beatle is a quirky loner who refuses to live by society’s rules. Her business cards read “Towing/Assassination,” and she even has a hit man infomercial to go along with it. Her only human contact is with her psychiatrist and the stripper/hooker she employs once a week. Everything changes the night she meets Athena Klendon, a suicidal blonde with a secret. With a demented killer on their tail, courtesy of Athena’s crooked former employer, the two quickly strike a bargain. Athena will change her life insurance policy to reflect Beatle as the beneficiary in exchange for her own execution. And while they wait for the paperwork to come through, Beatle will provide room and board and get some extra help on her infomercial. The two have no idea that Detective Holt has been on their case reviewing their every move. Just when he thinks he’s got Beatle pinned beyond a shadow of a doubt, this comedic mystery takes a wild and unexpected turn.
35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.
American-born Ray Rehman comes home one night to find his Pakistani father on his doorstep. Ray’s Caucasian mother threw him out. It’s an awkward time for his father to move in as Ray just proposed to his Caucasian girlfriend – who hasn’t given him an answer. While trying to get his parents back together, Ray meets a South Asian girl of mixed descent, just like him, and must decide where his identity truly lies.
Person of Interest follows former CIA paramilitary operative, John Reese, who is presumed dead and teams up with reclusive billionaire Finch to prevent violent crimes in New York City by initiating their own type of justice. With the special training that Reese has had in Covert Operations and Finch’s genius software inventing mind, the two are a perfect match for the job that they have to complete. With the help of surveillance equipment, they work “outside the law” and get the right criminal behind bars.