UK
Sarah & Duck is a British animated children’s television series created by Sarah Gomes Harris and Tim O’Sullivan, and produced by Karrot Entertainment for the BBC. Designed as a story-driven animation primarily targeted at 4-6 year old children, it was first broadcast on the UK CBeebies channel on 18 February 2013. A total of 40 episodes have been commissioned for the first series. 30 of these will have been shown in the UK by the end of August 2013, with a further 10 in production.
In the summer of 1995, two vulnerable teenage girls are accused of murdering their schoolteacher. For seventeen years, the two girls go their separate ways, Poppy having been charged with the murder. Fast-forward to modern day. Happily married mother Serena is now back in the same seaside town for the first time as she cares for her dying mother Rachel. Poppy is living in quite different circumstances. Having served seventeen years for a crime she still insists she didn’t commit, she has only one thing on her mind… the truth. And if she didn’t kill Marcus, then who did?
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It’s 3:07am and two girls burst into a run down London toilet. Joanne is crying her eyes out and her clothing is ripped. Kelly’s face is bruised and starting to swell. Duncan Allen lies in his bathroom bleeding to death. Duncan’s son finds his father and wants answers. Derek – Kelly’s pimp – needs to find Kelly or it will be him who pays.
Maggie has had four children, by four different fathers, removed by social services because of a previous violent relationship. When she meets Jorge, a gentle Latin American refugee, she gradually sees her chance for happiness, but her history still haunts her.
Catholic-Irish farm girl Kate, along with her gregarious best friend Baba, moves to Dublin to pursue a more exciting life.
An inept British WWII commander leads his troops to a series of misadventures in North Africa and Europe.
A Victorian-era murder mystery about a parlour maid that discovers that her employer may have killed his first wife.
The film is a historical drama set during the reign of Elizabeth I (Flora Robson), focusing on the English defeat of the Spanish Armada, whence the title. In 1588, relations between Spain and England are at the breaking point. With the support of Queen Elizabeth I, British sea raiders such as Sir Francis Drake regularly capture Spanish merchantmen bringing gold from the New World.
It took Peggy Heller a long time to recover from the trauma of a brutal physical assault, suffered in her youth. When she married Robert, he provided her with the love and reassurance she craved for and the two settled down in a pretty house in the grounds of the public school where Robert was a master. But the headmaster of the school is not what he seems and Penny is convinced he means to harm her – is her fear a figment of her tortured imagination or are there forces at work that intend to manipulate her anxieties with fatal consequences?
After six weeks of gruelling competition, England battle reigning champions Australia. The two teams are inseparable after eighty minutes. Deep into extra time, there are just two minutes left on the clock. England rumble to within 40 yards of the posts. The ball is sent spiralling back to Jonny Wilkinson, the golden boy of English rugby, in a split second he drop kicks for goal and a chance for sporting immortality. It is an astonishing story of pressure, expectation and courage, tracing the roots of success back to the professionalization of the game in the 90s and culminating in that glorious World Cup campaign of 2003 that turned Woodward’s poisoned chalice into a golden cup.
Madeline Goddard, is a British double agent who meets and falls in love with a German spy Baron Karl Von Marwitz during World War I. This tale of espionage blends high adventure and romance making perfect order from wartime chaos and growing in faith from despair.
Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late ’60s British society. Constructed as a montage of various disconnected political acts (in line with Godard’s then appropriation of Soviet director Dziga Vertov’s agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.
Two Egyptologists, Professor Fuchs and Corbeck, are instrumental in unleashing unmitigated horror by bringing back to England the mummified body of Tara, the Egyptian Queen of Darkness. Fuchs’s daughter becomes involved in a series of macabre and terrifying incidents, powerless against the forces of darkness, directed by Corbeck, that are taking possession of her body and soul to fulfill the ancient prophesy that Queen Tara will be resurrected to continue her reign of unspeakable evil.
Billy is an innocent, naive seaman in the British Navy in 1797. When the ship’s sadistic master-at-arms is murdered, Billy is accused and tried.
In 1870, a Jamaican colonial family sends its children to Britain for proper schooling, but their ship is taken over by pirates, who become fond of the kids.
Rita, a witty 26-year-old hairdresser, wants to ‘discover’ herself so she joins an Open University where she meets the disillusioned professor of literature, Dr. Frank Bryant. His marriage has failed, his new girlfriend is having an affair with his best friend and he can’t get through the day without downing a bottle or two of whisky. What Frank needs is a challenge… and along comes Rita.
In foggy London Dr Jekyll experiments on newly deceased women determined to discover an elixir for immortal life. Success enables his spectacular transformation into the beautiful but psychotic Sister Hyde who stalks the dark alleys of Whitechapel for young, innocent, female victims, ensuring continuation of the bloodstained research. With each transformation Sister Hyde becomes the more dominant personality, determined to eventually suppress the frail, ineffectual Dr Jekyll forever.
A little girl accidentally breaks her mother’s favourite ornament and goes hop-picking to replace it.
In his first major television special, British Asian illusionist Adam Patel, showcases his trademark brand of magic, sleight-of-hand, perceptual manipulation and mind hacking, astounding celebrities and the general public.
In a small English village everyone suddenly falls unconscious. When they awake every woman of child bearing age is pregnant. The resulting children have the same strange blond hair, eyes and a strong connection to each other.