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A thriller that revolves around the key people at an investment bank over a 24-hour period during the early stages of the financial crisis.
Alison Wynn is an amateur triathlete who convinces Dr. Laura Stevens, a controversial peak-performance trainer, to take her on as a client. Together they embark on a rigorous program combining cutting-edge physical training with experimental hypnotherapy in an effort to render Alison more competitive. Pushed to her limits and forced to explore the painful repressed memories of her mother’s suicide, Dr. Stevens’ punishing regimen helps Alison post impressive gains and break through her own glass ceiling; but at what cost? Alison’s work and family life with her husband and daughter suffer but no sacrifice seems too great to satisfy Laura’s escalating demands. In fact Laura will do whatever it takes to have Alison all to herself. As Alison runs directly into Laura’s sinister psychological trap, it’s up to Alison’s daughter to help her mother see through the deception before they lose her forever.
A young insomniac’s black-market sleep aid sends his mind time-travelling one day into the future, where he’s the suspect in the disappearance of a girl he hasn’t met — yet.
An anorexic young woman escapes from a psychiatric clinic and meets a young man who wants to help. She is caught and returned to her parents, who are soon beheaded by a garrotting stranger making the rounds about town, apparently striking only when it rains. The orphaned young woman and her new lover launch their own investigation and are endangered when a link is discovered with the victims and a particular operation performed years before.
When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.
Cassidy is a senior at a NYC college and he’s trying to balance the demands of school, his role as big brother to Jessica, a freshman at the same school and his role as best buddy to horn-dog Mike with his emerging feelings of attraction to men. This is further complicated by a string of co-ed murders on campus for which his sister fits the victim profile.
A gripping female-driven horror film where a young woman faces her darkest fears with seven other unwilling participants in a deadly game. A game that can only have one winner. The film burrows into universal themes of survival, revenge and redemption, and reveals the darkness lurking within us all.
He’s one of the hardest working filmmakers in the genre business…….So what’s HATCHET man Adam Green been up to this past year apart from working on his sit-com ‘Holliston’, writing KILLER PIZZA and prepping EXORCISM ON CROOKED LAKE? The answer is this documentary starting out exploring genre-based monster art and then taking an odd turn into the blurring of fantasy and reality. Because halfway through producing this treatise with cinematographer Will Barratt at his L.A. ArieScope Pictures offices, they are contacted by former policeman William Dekker who claims he can prove that monsters are indeed real. That they live in world just below our own named The Marrow and he knows where one of the entrances to this dark hidden universe is. Green of course is intrigued and so the monster hunting expedition begins… to become something else far more frightening than he ever imagined.
Meet Shivani Shivaji Roy, Senior Inspector, Crime Branch, Mumbai Police, as she sets out to confront the mastermind behind the child trafficking mafia, which makes the mistake of kidnapping and smuggling a teenage girl who is like a daughter to her. Fighting a war which is very personal and in an obsessive hunt for the girl, Shivani stumbles into the world of debauchery, cruel desires and exploitation and onto a case that will change her life forever. What follows is a cat and mouse game between a fearless cop and a young and ruthless mafia kingpin. Catch Rani Mukerji in the lead, playing an edge of the seat role of a lifetime, in this raw and gritty film which will be a distinct departure from Pradeep Sarkar’s style of filmmaking.
