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Arguing With Myself, a recorded live performance of ventriloquist Jeff Dunham, portrays a comedian whose revival of an old-fashioned art has made ventriloquism more relevant to modern societal concerns. Starring his six main characters, from Bubba Jay, a Nascar-obsessed hick, to Peanut, a flamboyant gay monkey, Dunham’s puppets have dirty but relatively inoffensive senses of humor that mock the American Dream. His skills as a ventriloquist alone make him a fascinating entertainer, and anyone interested in how puppetry and ventriloquism has progressed over the decades would benefit from watching Dunham bring life to his wooden friends.
It takes two or three generations for the monarch butterfly to reach the Canadian breeding grounds, but it is one “supergeneration” that makes the 2,000 mile return trip back south into central Mexico. The documentary film covers Dr Fred Urquhart’s interest in monarch butterflies, with perspectives of Urquhart as a child wondering where the butterflies went, his years of research and study into their life and migration, to his time decades-later as a senior scientist looking back at his investigations and discoveries about the insect’s life pattern.
Coral reefs are the nursery for all life in the oceans, a remarkable ecosystem that sustains us. Yet with carbon emissions warming the seas, a phenomenon called “coral bleaching”—a sign of mass coral death—has been accelerating around the world, and the public has no idea of the scale or implication of the catastrophe silently raging underwater.
Legendary filmmaker Werner Herzog returns with INTO THE ABYSS: A TALE OF DEATH, A TALE OF LIFE, a riveting examination of a horrible crime which probes the human psyche to explore why people kill–and why the state kills. In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (who was scheduled to die eight days after his interview with Herzog), the filmmaker achieves what he describes as “a gaze into the abyss of the human soul.” As he’s so often done before, Herzog’s investigation unveils layers of humanity, making an enlightening trip out of ominous territory.
An examination of the infamous thirty-year-old cold case of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on Johnny’s mother, Noreen Gosch, and her relentless quest to find the truth about what happened to her son. Along the way there have been mysterious sightings, bizarre revelations, and a confrontation with a person who claims to have helped abduct Johnny.
This flick interviews up and coming glam bands who made their home in the L.A. scene. Also interviewed are some of the genre’s idols including Kiss, Aerosmith, Alice Cooper, Poison, Megadeth, Lemmy from Motorhead and of course, Ozzy. Also, spotlighted performances from bands such as Faster Pussycat, Odin, London (Nikki Sixx’s old band), Seduce and Megadeth. The movie’s range of topics include groupies, alcoholism, drugs, the glam image and why it attracted so many people from many walks of life. The movie’s funniest (and saddest) segment includes filmmaker Penelope Spheeris’s attempt to interview a W.A.S.P. guitarist in his pool, drunk as a skunk and with his MOM sitting right there!