A between-the-sheets peek at Black Love and Sexuality
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Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
Oleg is a young gifted paramedic. His wife Katya works as a nurse at the hospital emergency department. She loves Oleg, but is fed up with him caring more about patients than her. She tells him she wants a divorce. The new head of Oleg’s EMA department is a cold-hearted manager who’s got new strict rules to implement. Oleg couldn’t care less about the rules – he’s got lives to save; his attitude gets him in trouble with the new boss. The crisis at work coincides with the personal life crisis. Caught up between their patients, alcohol-fueled off-shifts, and an evolving health care system, Oleg and Katya have to find the binding force that will keep them together.
In this comedy, Atouk becomes leader of the misfit cavemen. Disgraced and cast out of his tribe for lusting after Lana, the mate of tribe’s head muscle man, Atouk stumbles along gathering other misfits and learning a bit about the world outside of his cave. Eventually he and friends Lar, and Tala learn the secrets of fire, cooked meat, and how to defend themselves from the brutal, yet very stupid
When British aid worker Hana returns to Luxor, a sleepy city on the banks of the Nile, she comes across Sultan, a talented archeologist and former lover. As she wanders, haunted by the familiar place, she struggles to reconcile the choices of the past with the uncertainty of the present.
THE FALLEN is a three-sided story about German, Italian, and American soldiers, set in Northern Italy during the final weeks of the World War II. On the one side, a group of American supply soldiers delivers ammunition to the front line, a journey that becomes a descent into hell, the success of the mission becomes less likely with every setback. On the other, a doomed German unit and their ragtag Italian partners struggle to maintain morale and discipline amongst their beleaguered troops in the face of certain defeat. Torn between these are the divided loyalties of the Italians, both fascist soldiers and communist partisans, who have turned brother against brother in a bloody civil war. The film looks at the everyday life of the soldiers, their encounters on the road, their hopes and dreams, and the differences in values, morals, and patriotism between the cultures at the end of that era.
After a failed swindle, two con-men end up with a map to El Dorado, the fabled “city of gold,” and an unintended trip to the New World. Much to their surprise, the map does lead the pair to the mythical city, where the startled inhabitants promptly begin to worship them as gods. The only question is, do they take the worshipful natives for all they’re worth, or is there a bit more to El Dorado than riches?
Alex Whitman (Matthew Perry) is a designer from New York City who is sent to Las Vegas to supervise the construction of a nightclub that his firm has been hired to build. Alex is a straight-laced WASP-ish type who, while enjoying a night on the town, meets Isabel Fuentes (Salma Hayek), a free-spirited Mexican-American photographer. Alex and Isabel are overtaken by lust at first sight and end up sp
A young evangelical filmmaker is granted unprecedented access inside a controversial Christian behavior modification program for teens, where she discovers shocking secrets and young students that change her life.
A down-on-his-luck ethics professor ends up on a completely unhinged run across the Mexican border with his teenage daughter in tow – and four undocumented immigrants in the trunk.
Soo-myung and Seung-min, both 25 years old, meet for the first time at Soori Hope Hospital, a run-down psychiatric facility located on a mountain. Soo-myung has been institutionalized since he was nineteen after the trauma caused by his mother’s suicide, and has a phobia of scissors. Seung-min is sane and a champion paraglider, but was forcibly committed by his greedy half-brother to get Seung-min’s share of the family inheritance. Soo-myung is a model patient, peacefully and passively spending his days in the hospital despite its abusive nurses, unlike Seung-min, who is a walking time bomb. Soon, Soo-myung gets roped into Seung-min’s reckless plan to break out of the hospital.
