Mommy vlogger Stephanie joins her best friend Emily’s husband, Sean, to investigate her sudden disappearance from their small town.
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In this variation on director Vadim’s own, more acclaimed Et Dieu Créa La Femme (1956, the same title in French), the vamp Robin Shea marries charming carpenter Billy Moran, only to get out of prison, but soon decides to seduce James Tiernan, who runs for state governor.
Ford “Mr. Rock n’ Roll Detective” Fairlane is experiencing problems, and it’s not with the opposite sex. One of them is that all the rock stars pay him with drum sticks, koala bears, food processors and bicycle shorts. Another one of them is that all his employers that want him to find a girl named Zuzu Petals get killed. Why didn’t he become a fisherman’s detective instead?
Emily arrives in Miami with aspirations to become a professional dancer. She sparks with Sean, the leader of a dance crew whose neighborhood is threatened by Emily’s father’s development plans.
FBI agent Joel Campbell, burnt-out and shell-shocked after years spent chasing serial killers, flees L.A. to begin a new life for himself in Chicago. But five months later, Joel’s best laid plans are abruptly cut short when his new hometown becomes the setting for some particularly gruesome murders–murders that could only have been committed by one man: David Allen Griffin. One of Joel’s most elusive and cunning nemeses, Griffin has followed his former pursuer to Chicago in order to play a sadistic game of cat and mouse. Taunting Joel with photographs of his intended victims and leaving his crime scenes meticulously free of clues in order to keep the police at bay, Griffin derives as much pleasure out of watching Joel react to every movement as watching his victims die. But when Griffin moves into Joel’s inner circle, Joel must quickly find some way to stop him before someone close to him becomes the next one to die.
In Los Angeles, Nikki is homeless, car-less and closing in on 30, but he’s amoral, good-looking, and adept in the sack, moving from one wealthy woman of 35 or 40 to another, a kept boy-toy. His newest gig, with Samantha, an attorney whose house overlooks L.A., is sweet, although it’s unclear how long she’ll put up with him. Then Nikki meets Heather, a waitress. Is the player being played, or might this be love? What will Nikki discover?
Follows the journey of a 90-year-old atheist and the quirky characters that inhabit his off-the-map desert town. He finds himself at the precipice of life, thrust into a journey of self-exploration.
Elena (Kasia Smutniak) and Antonio (Francesco Arca) seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they’re trying hard to avoid; but to which they succumb to. This dramedy on relationships also gets a very credible performance from Paola Miraccione, who plays the tragic, albeit funny, character Egle.
In 1964, a Catholic school nun questions a priest’s ambiguous relationship with a troubled young student, suspecting him of abuse. He denies the charges, and much of the film’s quick-fire dialogue tackles themes of religion, morality, and authority.
Harmless prank or violent revenge? Three high school students, sick of living in fear of bullies, plan the ultimate payback. But when their prank goes way too far, they come to realize that getting even can have deadly consequences. Packed with unpredictable twists and turns, this cutting-edge thriller pulls no punches and delivers a shocking conclusion you’ll never forget. Just remember…no matter how sweet revenge might taste, there’s always a price to pay
When a priest is jailed for the murder of a nun on whom he was performing an exorcism, an investigative journalist strives to determine whether he in fact murdered a mentally ill person, or if he lost the battle with a demonic presence.