A Blanc-Biehn production centered around the idea of a governmentally designed drug created to help correct or strategically alter perceptions gathered during times of trauma or stress. Slated as being a substance that may help solve issues with everything from racial tensions, PTSD and geopolitic battles, first a focused study is needed to see how people respond to treatment and what dosages might be needed. Four couples are chosen to test this drug, and soon find their memories and sanity challenged.
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Pearl is a typical sixteen-year-old vampire. Fond of blood, allergic to the sun, and generally pretty evil. But after a mysterious attack leaves her able to survive in the daylight, everything changes. Pearl’s powerful family soon finds a way to take advantage of her new ability: they send Pearl to high school, to gather fresh young blood for an upcoming feast in honor of the Vampire King. The only problem? Pearl’s starting to grow a conscience. How can she serve up her new friends — especially the cute guy who makes her fangs ache — to be slaughtered? Then again, she’s definitely dead if she lets her family down. What’s a sun-loving vamp to do?
A patrol officer gets into an accident and his soul gets separated from his body. Desperate to solve the case and return to his beloved girlfriend, but is at his wits’ end as a wandering spirit. Unexpectedly he discovers someone who can see him.
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On a surveillance mission in a primordial forest, a park ranger encounters two survivalists following a post-apocalyptic lifestyle. The boy and his philosophical father seem to have their own religion, and a mysterious relationship to nature. There are many suspicious aspects to their existence, but when the cabin is attacked by strange, post-human beings one night, she learns that there is a greater threat in this emergent wilderness. Gaia is an ecological horror fantasy which engages the burning issues of our time.
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