Bessie and Winston “Slug” Winters are married coaches whose mission is to whip their college football team into shape. Just in time, they discover a hillbilly farmhand and his sister. But the hillbilly farmhand’s ability to throw melons enables him to become their star passing ace.

Katyar Kaljat Ghusli is a 2015 Marathi film based on a play by the same name. Directed by Subodh Bhave, the film stars Sachin Pilgaonkar, Shankar Mahadevan, and Subodh Bhave in lead roles. The film marks the acting debut for Mahadevan and directorial debut for Bhave. The original play premiered in 1967 in Mumbai, where Hindustani classical vocalist Vasantrao Deshpande played one of the protagonists. In 2010, the play was relaunched with protagonists essayed by Rahul Deshpande, grandson of Vasantrao Deshpande and singer Mahesh Kale. The film’s music is composed by Shankar–Ehsaan–Loy, and retained some of the songs from the original play composed by Jitendra Abhisheki.

A young refugee travels from Russia to America in search of her lost father and falls in love with a gypsy horseman.

Lange stunningly portrays Patsy Cline, the velvet-voiced country singer who died in a tragic plane crash.

Young Kid has been invited to a party at his friend Play’s house. But after a fight at school, Kid’s father grounds him. None the less, Kid sneaks out when his father falls asleep. But Kid doesn’t know that three of the thugs at school has decided to give him a lesson in behaviour

A tribute to The E Street Band, rock ‘n’ roll, and the way music has shaped Bruce Springsteen’s life, this documentary captures Bruce reflecting on love and loss while recording with his full band for the first time since Born in the U.S.A.

Set against a backdrop of the Israeli-Palestinian conflict, Palestinian rapper Kareem and his singer girlfriend Manar struggle, love and make music in their crime-ridden ghetto and Tel Aviv’s hip-hop club scene.

Sophia Grace and Rosie are sent to Switzelvania as special correspondents tasked with covering the coronation of a new queen. Once there, they encounter three very different princesses competing for the throne. Together, the girls hatch a royal plot to help the best candidate win.

This documentary of the Rolling Stones’ 1969 US tour has become a legendary, harrowing symbol of the tragic demise of the “Peace and Love” era. After a successful tour across the US, the Rolling Stones gave a free December concert at Altamont Speedway in California with the Grateful Dead, Ike and Tina Turner, Jefferson Airplane, and the Flying Burrito Brothers. The band unwisely selected the Hells Angels to provide security, and the bikers resorted to violence to keep the stoned, restless, and often naked crowd in line. The result: dozens of injuries and the on-screen stabbing of a young black man (during “Sympathy for the Devil”) by one of the concert’s staff security. In a manipulative but effective move, the Maysles brothers filmed Mick Jagger in the editing room witnessing the on-camera murder for the first time. The film also works as a rock-and-roll document, capturing the band at their most relaxed, intoxicating, and electrifying.

It’s not easy to be Barry. An earthworm gets no respect. He lives at the bottom of the food chain. But one day, an old disco record turns his life upside down. Suddenly he sees before him his own destiny, the star of the world’s greatest disco band: Sunshine Barry & The Disco Worms! Okay, he’s got no arms, no rhythm and no band. But as Barry says: “We’ll do it anyway!”

Martin Scorsese’s documentary intertwines footage from “The Band’s” incredible farewell tour with probing backstage interviews and featured performances by Eric Clapton, Bob Dylan, Joni Mitchell, Van Morrison, and other rock legends.

There are many things in life that could do a number on a man’s masculinity. Lenny Babbitt has his identity and manhood challenged when his wife Tracy leaves him for a female doctor named Iris who has been treating their autistic son Isaac. After losing his job, and wife to a woman no less — Lenny’s dad Jack offers him a job at his pawn shop where he must re-examine his identity, manhood and sense of self after meeting Chelsea, a young, free-spirited pistol that lives life on two wheels. In the end, Lenny realizes that there are no absolutes… only one’s faith, sense of self and family — no matter how it’s constituted or defined by society.