Seven year-old old twin brothers, separated during the Civil War in Tajikistan, face each other years later in a new war where one is an American soldier and the other is Taliban.

With this film (the second war trilogy set during the Filipino-American war in the early 1900s), the revolution marches on against the Americans after the bloody death of General Antonio Luna. The conflicted philosophies behind the heroic struggle continue and become personified in the colorful character of General Gregorio “Goyo” del Pilar.

Following the conclusion of Split, Glass finds David Dunn pursuing Kevin Wendell Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Elijah Price emerges as an orchestrator who holds secrets critical to both men.

1968 American war film about the formation and first mission of the joint Canadian-American WWII special forces winter and mountain unit formally called 1st Special Service Force, but commonly known as “The Devil’s Brigade”. The film dramatises the Brigade’s first mission in the Italian Campaign, the task of capturing the German mountain stronghold Monte la Difensa, in December 1943. The film is based on the 1966 book of the same name, co-written by American novelist and historian Robert H. Adleman and Col. George Walton, a member of the brigade.

A scientist invents a time machine but his evil twin brother is after it and will go to any lengths to get the device in his hands.

In the days following the surrender of Germany in May 1945, a group of young German prisoners of war were handed over to the Danish authorities and subsequently sent out to the West Coast, where they were ordered to remove the more than two million mines that the Germans had placed in the sand along the coast. With their bare hands, crawling around in the sand, the boys were forced to perform the dangerous work under the leadership of the Danish sergeant, Carl Leopold Rasmussen.

Investigative journalist, Jeremy Scahill is pulled into an unexpected journey as he chases down the hidden truth behind America’s expanding covert wars, and examines how the US government has responded to international terrorist threats in ways that seem to go against the established laws of the land.

In September 1942, the German Afrika Korps under Rommel have successfully pushed the Allies back into Egypt. A counter-attack is planned, for which the fuel dumps at Tobruk are a critical impediment. In order to aid the attack, a group of British commandos and German Jews make their way undercover through 800 miles of desert, to destroy the fuel dumps starving the Germans of fuel.

Robgen industries newest security system is “The J Series Automatic”, an android model designed and programmed to protect humans from violent attacks. But one night, an Automatic named J269 discovers a Robgen executive trying to rape a female employee named Nora Rochester. While trying to stop the crime, he inadvertently kills the executive. At this point, J269 then calls Goddard Marx (his creator and a Robgen chairman) to inform him of the incident. Marx tells the android to stay there with Rochester until help arrives, but Marx is intent on sweeping the fiasco under the rug by sending mercenaries to eliminate both J269 and Rochester. Now the two are fugitives on the run from a para-military hit squad.

Forget about nuclear missiles, the decisive weapon of the twentieth century is the car bomb. After Iraq we now know you can defeat a Superpower, start a civil war or just blow up your own Government with a trunk load of home-made explosives and a battered old car. From the Middle East, Oklahoma, Ireland and the streets of the City of London the car bomb has shaped human conflict. Even today the car bomb remains the number one terrorist threat across the world. In this film, ex-CIA agent Robert Baer uncovers the history of this extraordinary weapon. With footage of car bomb attacks and interviews with car bombers, Baer reveals how the century of the car turned into the century of the car bomb. And how a dream of freedom turned nightmare.

Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

Set in 1944 France, an American Intelligence Squad locates a German Platoon wishing to surrender rather than die in Germany’s final war offensive. The two groups of men, isolated from the war at present, put aside their differences and spend Christmas together before the surrender plan turns bad and both sides are forced to fight the other.