Laura (Florencia Colucci) and her father Wilson (Gustavo Alonso) arrive at a cottage off the beaten path in order to repair it since its owner (Abel Tripaldi) will soon put the house on sale. They will spend the night there in order to start the repairs the following morning. Everything seems to go on smoothly until Laura hears a sound that comes from outside and gets louder and louder in the upper floor of the house. Wilson goes up to see what is going on while she remains downstairs on her own waiting for her father to come down. The plot is based on a true story that occurred in the 1940s in a small village in Uruguay. La casa muda focuses on the last seventy eight minutes, second by second, as Laura tries to leave the house unharmed and discovers the dark secret it hides.

In the back streets of a tourist town in present-day Southeast Asia, we find a filthy cinder block room; a bed with soiled sheets; a little girl waits for the next man. Alex (Dermot Mulroney), a human trafficking investigator, plays the role of her next customer as he negotiates with the pimp for the use of the child. Claire (Mira Sorvino), Alex’s wife, is caught up in the flow of her new life in Southeast Asia and her role as a volunteer in an aftercare shelter for rescued girls where lives of local neighborhood girl’s freedoms and dignity are threatened. Parallel story lines intertwine and unfold twists against the backdrop of the dangerous human trafficking world, in a story of struggle, life, hope and redemption in the “TRADE of INNOCENTS.”

Strange rumors start to spread at the catholic girls’ high school after Unjoo committed suicide one night. Unjoo’s younger sister Jung-un who attends the same school gets suspicious about Unjoo’s death. After persistent investigation, Jung-un finds out that on the night of the incident, Soy, Eugene, Eun-young, Unjoo, the four of them had tried to commit a joint suicide after making a vow on blood. But the three are still alive, and only Unjoo had died. the desire, jealousy, and lies behind the pledge of death between the four girls are revealed, along with the hidden truth behind Unjoo’s suicide.

A headmaster and his wife return home to find one of their doors to have part of a window pane neatly cut. Looking through the house for whatever might be missing, they find a young man sitting in one of their rooms, and the phone isn’t working. The man’s behaviour is strange, but polite. He says he’s arrived from Australia and was friends there with an old friend of the headmaster. He proves to have a lot of personal knowledge about the family, so his story seems to be true. However, he definitely has a dark side, doing over-the-top “practical jokes,” producing a gun, engaging in a particularly bloody boxing match. (IMDB)

Sebastian, a man in his thirties, works a series of temporary jobs and he embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.

With a duty to deliver every last letter before Christmas, the beloved quartet of post office detectives—Oliver, Shane, Rita and Norman—are working around the clock to redirect Santa’s mail just as Oliver runs into his former Sunday school teacher. When they receive an emotional last-minute plea not meant for Saint Nick, but instead written to God, they must delay their own travel plans to make sure one little girl doesn’t lose her Christmas joy—something Oliver and Shane are also struggling to find as they each face painful holiday memories. With a little guidance from a mysterious post office volunteer, Jordan, the Postables are more surprised than anyone to discover they’ve been a part of more than one miracle on this Christmas Eve.

Hyeong-Do (So Ji-Sub) is an assassin for a company that masquerades as a metal trading company. One day, he takes on a job partnering with a man Hyun-Yi, who is he is to kill afterwards. Hyun-Yi asks a favor to Hyeong-Do which is to give money to his family. Hyeong-Do visits Hyun-Yi’s home where he meets Hyun-Yi’s wife Su-Yeon (Lee Mi-Yeon). Su-Yeon is a former singer whom Hyeong-Do admired in the past. Guilt, an unknown feeling up to this point for Hyeong-Do, begins take over Hyeong-Do.

The estranged daughter (Lauren Lee Smith) of a recently deceased filmmaker gains a new understanding of her father when she offers to create a retrospective of his work.

After having a chance encounter with a mysterious character, Wendy, a young working class mother, discovers that she has super powers.

In this reimagining of the 2010 Mexican film of the same name, director Jim Mickle paints a gruesome portrait of an introverted family struggling to keep their macabre traditions alive, giving us something we can really sink our teeth into.

A C-list celebrity gets kidnapped and held hostage after a night-club appearance. When the police interrogate the man she accuses, they question whether she’s after justice or a front-page story.

An unknown virus begins to spread infecting the local population almost instantly, but footage found by the CDC of one man’s survival may just help them find a cure.