A waitress who won’t put out for her boss has the misfortune of quitting her job just as the bar is being robbed by a notorious thief…
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IT’S NOT A DATE tells the story of Carly and Milo, a couple in their twenties on their first date. Although “It’s not a date” but more of a casual meet at a local club; it begins as a classic girl meets boy saga with casual conversation that escalates to a night of passion. It evolves, NOT into a romantic partnership or a parting nod, to “bad chemistry” but instead with Carly. Frustrated with a life full of bad dates and believing that Milo is the worse of them she takes Milo on a detour into insanity so extreme he wishes “It’s not a date.”
Koroki is a 35-year old man who admires Japanese singer-songwriter Tamio Okuda and aspires to live like him. He works as an editor at the lifestyle magazine “Mare,” where he meets Akari Amami, a mischievous fashion press writer, and falls in love with her at first sight.
After a magical summer together, a nine-year-old boy whispers his heart into the ear of a best friend. With a loyal, golden dog by their side, the boy and girl bury a time capsule of keepsakes then they go their separate ways. Years later, looking for a fresh start, a man and woman each return to the place they felt most at home as a child. But a comedic case of unknown identity has them competing for the same childhood memories, and Christmas escapades ensue. For the sake of their happiness, they must discover their common past before they turn each other s lives completely upside-down. Can a golden dog lead them home?
A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.
A beautiful young gold-digger mistakes a lowly hotel clerk as a rich and therefore worthwhile catch.
The mating rituals of two teenage surf chicks from the southern suburbs of Sydney.Meet Sue, a teenage Australian girl in the late 70s, whose life mainly consists of doing what everyone else does – watch the surfing boys and have sex with the same surfing boys. The girls have to follow lots of strange customs, e.g. do not eat or go to the bathroom when a boy is around. Ugly girls have two choices – being bitches and hate boys, or being generally cheap and looked down upon by everyone. The afternoons are spent on the beaches, in the backseats of car or at home-alone-parties where sex and alcohol are the main ingredients. Parents and teachers are trying to straighten the kids out, but that is not easy.
After being dumped by her boyfriend just before their 100 day anniversary, Ha-Young, meets a college guy named Hyung-Joon when she accidentally kicks a can that hits him in the face and causes him to scratch his Lexus. He demands she pay him $3000 on the spot. She escapes from him, leaving her wallet behind.Hyung-Joon stalks her, demanding money to pay for his car. Since she is a poor high school student Hyung-Joon writes up a “Enslavement Agreement” for Ha-Young in order to pay for the damage to his car. Ha-Young is thrown into a nightmarish slave life for 100 days, cleaning his house, running his errands, doing his homework and cleaning his car.By accident she finds out that the damage to Hyung-Joon’s car only costs $10! She then takes her revenge. However, before she knows it Hyung-Joon shows up at her house as her new tutor! He once again takes advantage of her, but soon Ha-Young finds herself falling head over heels for Hyung-Joon.
Through Lyonne’s surrealist eye, the lead character learns to reconcile with her Vaudevillian past in order to step into her life more fully. We witness Chastity’s journey through the eloquence of incoherence. It’s about the illusion of significance in a surreal, unjust and often unintelligible world, yet finding meaning within it and retaining a form of hope in despite of it. Chastity finds an uncompromising way of realizing reality is a kind of absurdity.
After college graduation, Grover’s girlfriend Jane tells him she’s moving to Prague to study writing. Grover declines to accompany her, deciding instead to move in with several friends, all of whom can’t quite work up the inertia to escape their university’s pull. Nobody wants to make any big decisions that would radically alter his life, yet none of them wants to end up like Chet, the professional student who tends bar and is in his tenth year of university studies.
Martin Lawrence plays Jamal, an employee in Medieval World amusement park. After sustaining a blow to the head, he awakens to find himself in 14th century England.
It’s Tim Vine recorded live doing what he does best, peppering gags at a defenseless audience. Armed with an arsenal of rapid fire one-liners, a bag of cheap props and a pocket full of stupid ditties. Watch Tim in full flight…. resistance is futile.
