Three people from different walks of life find themselves trapped inside a stalled elevator. What at first seems like an inconvenience rapidly escalates into a nightmare.
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A reality TV program selects six contestants to participate in a free-for-all, no holds barred deathmatch, where they must skillfully outwit and kill each other in order to be the last person alive.
The King of Fighters movie will introduce a new science fiction spin into the setting established in the games universe by following the surviving members of three legendary fighting clans who are continually whisked away to other dimensions by an evil power. As the fighters enter each new world they battle that universes native defenders, while the force that brought them seeks to find a way to invade and infect our world.
After miners disappear in the Namib Desert, some scientists find their remains and the demonic creature that killed them.
Trained KGB assassin, EDWARD GENN (code name ICARUS), worked years ago as a sleeper agent in America. But when the Soviet Union collapsed, he quickly found himself in a foreign country with no one to trust. Determined to escape his muddled existence, EDWARD tries to start over. He assumes a new identity, starts a family and tries to start his own legitimate business that could potentially pull him out of his world of being a hitman.
From the beginning, stories of angels and men have captured our imaginations and have been etched into our history crossing all boundaries of culture, religion, and time. These two races have dominated the landscape of modern mythology for countless centuries, almost washing away the evidence that a third ever existed. This third race, born of smokeless fire, was called the jinn. Similar to humans in many ways, the jinn lived invisibly among us and only under dire or unusual circumstances were our paths ever meant to cross.
An anthology film set in a brothel, Bordello Death Tales incorporates three shorts by young horror directors, linked by a sinister venue: Madame Raven’s bordello. The bloodletting begins in James Eaves’ The Ripper featuring a mild-mannered psychopath. The second story, Stitch Girl, is Al Ronald’s homage to Bride of Frankenstein. The final short is Pat Higgins’ Vice Day showing how a politician has developed a way of keeping his private life away from the prying eyes of journalists. The three directors share a love of old-school portmanteau horror like the Amicus films (Tales From The Crypt)
On a family trip in the African desert, a research scientist unintentionally travels off course and is brutally murdered by an arms dealer. His girlfriend is put to the ultimate survival test as she attempts to evade the killers and protect his teenage daughter.
When Jodie goes missing, her parents are left behind to pick up the pieces. They frantically try every option to get her to come home, or for her kidnappers to release her. While they search the mortuaries looking for clues, a private investigator discovers a murky world and a terrible secret everyone wants to keep.
A naive and innocent teenage girl is blackmailed into modeling in the nude for a photographer who is in league with a teenage gang whose boss illegally sells photos of teenage girls being abused and degraded.
It’s the day after Halloween. Jacopo and Duke wake up in the apartment of two girls: Lenka, the Czech Republic, and Elizabeth, English, both in Italy thanks to the Erasmus project. The dawn of that new day brings with it a big problem: Elizabeth died. But there’s more, because none of the three remember what happened. Neither James nor Duke nor Lenka, remember what happened that night.
A mysterious disappearance of a young woman leads her boyfriend on a journey for truth and perhaps his own unknown reality in this dark, hypnotic mystery that transcends the limitations of traditional narrative.
Television news celebrity April Carson turns to the services of private investigator Isaac Beaumonde to seek her missing sister, a stripper known as Gigi Spot. Carson assumes a role in a horror movie in the process, eventually learning that the movie’s director, Able Whitman, is not only the culprit, but that he has rendered her sister’s body into props for the production.