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Pin-up vixens vs. bloodthirsty zombies, set in post-apocalyptic Hollywood. Imagine a wickedly saucy by invitation-only stage show and posh private peeps in which your every fantasy can come true, fulfilled by the likes of luscious ladies imitating the sex goddesses of yore: Bettie Page, Jayne Mansfield, and Suzie Wong.
A fledgling actress is lured to a remote mansion for a screen-test, soon discovering she is actually a prisoner in the middle of a blackmail plot.
When a serial killer interrupts the fun at the swanky Coconut Pete’s Coconut Beach Resort — a hedonistic island paradise for swingers — it’s up to the club’s staff to stop the violence … or at least hide it!
Filmmaker Catherine Sweeney is determined to make her zombie horror romantic comedy. However in order to get the funding she need to put a talking dog in it…
A beautiful young woman starts receiving messages through a ouija board, claiming to be from the former occupant of her apartment. The former tenant claims she’s been murdered, but there’s no record of a murder or even her death.
On New Year’s Eve, Qingyi (Athena Chu) and her son, Dawa, were waiting for her husband to come home from work but he never showed up. Meanwhile, Dawa keeps seeing a stranger who is invisible to Qingyi. Leaving Dawa under the care of her neighbour, she heads to the village to find out her husband’s whrereabouts. Qingyi returns home and sees a stranger hiding in her house…
The next great psycho horror slasher has given a documentary crew exclusive access to his life as he plans his reign of terror over the sleepy town of Glen Echo, all the while deconstructing the conventions and archetypes of the horror genre for them.
After incurring debts from his failed business venture in China, Zong Hua (Cheung) returns to Malaysia after a decade’s hiatus. The demoralised Zong Hua faces problems finding a job and tries hard to get used to things at home, including his estranged relationship with his step-father, Xiaotian, who runs a Cantonese opera troupe, and half-sister, Jing Jing (Cathryn Lee). Jing Jing is hostile towards Zong Hua as she always has the impression that the death of their mother was caused by the excessive fights between Zong Hua and his step-father.
As a young child Luther The Geek or “The Freak” witnesses a band of men goading a geek (a man who bites off chicken’s heads and drinks the blood) into performing. In the ensuing hullabaloo, Luther bites his lip and likes the taste of blood. Flash forward some thirty years and a parole board is meeting to discuss Luther’s release. It seems the cheeky blighter has been murdering folk in the meantime. A dopey parole board trainee sides with the liberals and so Luther is unleashed, except now he has a special pair of customized metal teeth. Luther then proceeds to “bite the heads off” of many hapless folk until the tense ending. This movie is most notable for it’s bare dialog, whole stretches pass without a sound. Most of the audio is composed of Luther clucking insanely like a chicken.