A career-oriented single father and his 11-year-old son are forced to see their worlds through each other’s eyes when some Christmas magic switches their bodies. The pair find themselves growing closer as they scramble to figure out the secret of the magic that caused their predicament in time for Christmas.
You May Also Like
RICHARD’S WEDDING is an ensemble comedy that explores how the most enduring friendships require a mixture of envy, love and ridiculous egomania disguised as self-contempt. Alex and Tuna are on their way to Richard and Phoebe’s wedding, to be reunited with a group of old friends. As they make their trek from Brooklyn to Central Park, they’re joined by an ever-increasing number of friends with their own set of misgivings, self-righteousness, and violently annoying iPhone Apps.
A comedy of manners, its cast of characters devouring each other in a small world awash with big money. Set against the backdrop of contemporary London and the international art scene, it casts an eye over the appetites and morality of some of its major players. Dealers, collectors, artists, wannabees vie with each other in a world in which success and downfall rest on a thin edge.
Clarise, an OFW mother in Japan, and her desire to have a husband and father for her children. One day, Clarise bumps into Henry, ridiculed and rejected. Then, they meet again in a plane going back to the Philippines. Here, an accident happens. Clarise wakes up and finds herself in an island with Henry, who now has amnesia. Clarise takes advantage of the situation and introduces herself as his wife. She makes him believe that they have been married in Japan and they are on their way to the Philippines to get married in church. After being saved, Clarise then introduces Henry to her family and friends. Will Henry learn to really love Clarise? Or, will Henry find the truth about Clarise’s lies? What if Henry learns that Clarise is his “illegal wife?”
Fletch is a fish out of water in small-town Louisiana, where he’s checking out a tumbledown mansion he’s inherited. When a woman he flirts with turns up dead, Fletch becomes a suspect and must find the killer and clear his name. In the meantime, he’s got some serious home-ownership issues, such as termites and weird neighbors.
Whether it’s someone mixing burnables and recyclables or noise from a neighbor’s domestic spat, there’s always something occupying the residents of a housing project in the suburbs of Osaka. However Hinako (Naomi Fujiyama) and Seiji (Ittoku Kishibe) couldn’t care less. Having moved in just six months ago after the closure of their herbal medicine shop, the old couple is reluctantly putting their life back together. But when Seiji disappears, the apartment rumor mill churns: divorce, murder, dismemberment? As the story spins out of control, and a mysterious man with a parasol puts in a tall order of natural remedies, the truth turns out to be even more fantastic than gossip. Ranging from incisive comedy of errors to absurdist adventure to moving late life romance, “The Projects” is one of the biggest surprises of the year.
The final installment of the Back to the Future trilogy finds Marty digging the trusty DeLorean out of a mineshaft and looking up Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
Times are hard for habitual guest of Her Majesty Norman Stanley Fletcher. The new prison officer, Beale, makes MacKay look soft and what’s more, an escape plan is hatching from the cell of prison godfather Grouty and Fletcher wants no part of it. The breakout is set for the day of a morale-raising football match between a ‘celebrity’ football team and the inmates of Slade. Everything is going to plan until Godber is injured on the goal post. In the ensuing confusion, Fletcher finds himself on the wrong side of the prison walls and must now try and break back into prison.
