In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.
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For the members of the comedy troupe Asperger’s Are Us, it’s easier to associate with a faceless audience than with their own families. No matter who the crowd, best friends Noah, New Michael, Jack and Ethan have one simple mantra: “We would much rather the audience appreciate us as comedians than people who have overcome adversity.” In this coming-of-age heartfelt documentary, this band of brothers finds themselves at a crossroad. With real life pulling them apart, they decide to plan one ambitious farewell show before they all go their separate ways. People with Asperger’s don’t deal well with uncertainty, and this is the most uncertain time in their lives.
So much has been written about Michael Jackson. The majority of it manufactured, twisted and just down-right untrue. Until NOW – In the year 2000, Michael Jackson was listed into the Guinness book of world records for breaking the WORLD record for the “Most Charities Supported by a Pop Star.” An achievement that was accomplished by a lifetime of effort and tireless dedication, yet a little-known fact that has been overshadowed by years of fiction. In a world first, author Paul Dwyer takes a look into the every-day world of Michael Jackson, stripping away the rumors, the media and the mayhem to take an in-depth look at The MAN – The humanitarian. Based on the book, the documentary delves into Michael Jackson’s charity involvement over the course of his career. It includes a diary of Michael Jackson’s visits to orphanages and children’s hospitals around the world, charity appearances and documents his body of work that was never celebrated or publicized by the mass media and is just as …
Posing as a wealthy, jet-setting diamond mogul, an Israeli conman wooed women online then conned them out of millions of dollars. Now some victims plan for payback.
Documentary about Brazilian soccer genius, Edson Arantes do Nascimento, aka Pelé.
I’m in the South of France. My base? The high-tech testing ground for Formula One Circuit Paul Ricard. My mission? To find find my favourite car of the year. There’s a pair of Ferraris, the V12, 6.3 litre FF and the 458. There’s the UK challenger to the 458, McLaren’s MP4-12C. The latest gizmo-laden Nissan GTR, Porsche’s GT2 RS, the 570-horsepower Lamborghini Performante and the fun BMW 1M. Helping me are The Stig and Formula One new boy, Karun Chandhok. I look into the future, in the shape of the hybrid-engined Mugen Honda CR-Z, And there are blasts from the past as well. The beautiful Eagle Speedster a modern twist on the iconic, timeless E-Type, with its 4.7 litre engine and an eye-watering £500,000 price tag. And there’s the all new Jensen Interceptor R with its 6.2 litre Corvette motor. The mighty Brutus, a vintage car fitted with a flame-spitting BMW airplane engine. Also the single-seater, B.A.C. Mono – capable of 0-60 in 2.8 seconds. What more could you want?…
The crew have now set off to finish what as left over from Jackass 2.0, and in this version they have Wee Man use a ‘pee’ gun on themselves, having a mini motor bike fracas in the grocery mall, a sperm test, a portly crew member disguised as King Kong, as well as include three episodes of their hilarious adventures in India.
Canada loses $80 billion annually in tax revenue to corporations legally, and aggressively, exploiting tax loopholes. Were this money taxed, instead of flowing into offshore tax havens, the Canadian government would garner $20 billion annually. Facing deficits and lay-offs, this film explores both sides: those who believe this is good for Canada, and those who believe it endangers democracy itself.
Last month, 82 Nigerian schoolgirls were released after 3 years of imprisonment. In exchange, 5 terrorist leaders walked free – These leaders belong to Boko Haram, the most bloodthirsty terrorist group on the planet. The group gained global notoriety after their kidnapping of 276 students in 2014, over 100 of which have not yet been released. Their objective: to establish a Caliphate and impose sharia – Islamic law – in the heart of Africa. In an attempt to understand who these terrorists are, how they operate, and what kind of a threat they represent to Africa and the rest of the world, we have investigated in Nigeria, Cameroon and on the border of Niger and Nigeria, meeting former prisoners, repented jihadists and troops on the frontline.
In February 2022, The Boy Scouts Of America reached a $2.7 billion agreement over sex abuse claims, the largest such settlement in history. Leave No Trace explores how this all-American institution went so horrifyingly wrong.
In a country famous for its success in international beauty pageants, three young women are fighting to participate in their nation’s most celebrated cultural institution. But obtaining a place in the Miss Venezuela contest is no easy task. Women must endure grueling diets, consent to intensive plastic surgery, and find the resources necessary to transform themselves from ordinary citizens into famous and illustrious Misses. To Be a Miss is a character-driven documentary that takes the viewer through the inner workings of Venezuela’s renowned beauty factory, revealing the risks and rewards associated with this multi-billion dollar industry while exposing what nationalism, personal ambition, and the influence of mass media has meant for women in the country.
The story of one redhead’s attempt to regain his self-confidence.
