A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy

Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

Over a 5-year period in Bridgend in Wales, 79 people, many of them teenagers, committed suicide without leaving any clue as to why. This is the starting point for this mysterious social drama.

This year Christmas with the Whitfields promises to be one they will never forget. All the siblings have come home for the first time in years and they’ve brought plenty of baggage with them. As the Christmas tree is trimmed and the lights are hung, secrets are revealed and family bonds are tested. As their lives converge, they join together and help each other discover the true meaning of family.

A group of young friends convene in the countryside to shoot a horror movie. But an experiment with LSD sees normal boundaries between them collapsing, and tragedy subsequently striking.

Glen’s released from prison with expectations from Doo Breezy, with no success. Instead, he and childhood friend Staria take the streets by storm as friend Tee is murdered during a lucrative robbery. After Glenn’s assassination attempt, he decides to master the game, which leads to disloyalty and bloodshed.

Rodrigo, a piano-tuner and former composer fallen on hard times, begins a love affair with the soon-to-be-married Susana. When a bomb in the city of Medellín nearly kills them, Rodrigo and Susana surrender to their attraction and fall into each other’s arms. Cocooned in her apartment above the vibrant city, Susana opens up to him every night and tells him a story of each of the different men from her past. Her stories inspire him to compose again, but his obsession makes him jealous and paranoid. When Susana finally leaves her fiancée to be with Rodrigo, he becomes obsessed with her fidelity.

Malcom’s done with his life. Only the noise of Crystal Meth gives him a reason to keep going – everything else it has long regardless. Equipped with a bag full of weapons and self-made bombs, he makes his way to the nearby mall to really stir things up. On his personal war campaign, he not only changes his life radically, but also the fate of other people who are in the wrong place at the same time: a teenager whose favorite pastime is smoking pot in his dreary existence, a housewife, where their best days have been left behind, a greedy businessman whose only desire is to increase his wealth and a depressed pervert.

When a billionaire entrepreneur impulsively decides to create an iconic movie, he demands the best. Renowned filmmaker Lola Cuevas is recruited to mastermind this ambitious endeavour. Completing the all-star team are two actors with massive talent but even bigger egos: Hollywood heartthrob Félix Rivero and radical theatre actor Iván Torres. Both are legends, but not exactly best friends. Through a series of increasingly eccentric trials set by Lola, Félix and Iván must confront not only each other, but also their own legacies. Who will be left when the cameras finally start rolling?

A grieving couple retreats to their cabin ‘Eden’ in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse.

Undercover cop Jim Raynor (Jason Patric) is a seasoned veteran. His partner, Kristen Cates (Jennifer Jason Leigh), is lacking in experience, but he thinks she’s tough enough to work his next case with him: a deep cover assignment to bring down the notoriously hard-to-capture drug lord Gaines (Gregg Allman). While their relationship turns romantic during the assignment, they also turn into junkies, and will have to battle their own addictions if they want to bring down Gaines once and for all.

Aging screenwriter Felix Bonhoeffer has lived his life in two states of existence: in reality and his own interior world. While working on a murder mystery script, and unaware that his brain is on the verge of implosion, Felix is baffled when his characters start to appear in his life, and vice versa.