A young Englishman marries a glamorous American. When he brings her home to meet the parents, she arrives like a blast from the future – blowing their entrenched British stuffiness out the window.
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WAFFLE STREET is the true story of Jimmy Adams, a V.P. of a $30 billion hedge fund, who loses his job and winds up working as a waiter at a waffle shop. Amidst the greasy madness of the 24-hour diner, Jimmy befriends Edward, an ex-con grill master who serves up hard lessons about life, finance, and grits.
A recovering alcoholic rekindles a relationship with the ex-girlfriend of the man that he and his brother killed in a drunk driving accident half a decade ago.
“Doris Day continues her reign as America’s sweetheart” (Motion Picture Herald) in this “bright, colorful comedy of marital misunderstanding” (The Film Daily). Co-starring Rod Taylor (The Glass Bottom Boat) and featuring whip-smart dialogue, a hilarious plot, sumptuous locales and costumes and the song “Au Revoir Is Goodbye With a Smile,” Do Not Disturb is a delightful romp from start to finish! What’s a devoted wife to do when her husband spends more time “working” with his sexy secretary than helping her with their new home? For Janet Taylor (Day), an American who has relocated to England with her executive husband Mike (Taylor), there’s only one solution – make him jealous by inventing an admirer. But as soon as Janet creates her make-believe Romeo, a real suitor arrives, whisks Janet off to Paris, wines and dines her…and comes face-to-face with an insanely irate Mike!
Hoffmann is a lovelorn young man in Nuremberg who is watching his latest love, Stella, dance in the ballet. In the interval he goes to the tavern where he tells his friends the tales of the three major loves of his life. Each story forms a separate act of this filmic version of the Offenbach opera.
Paul à Québec is quite simply about life, at its happiest and at its most challenging. Paul and his in-laws offer us a window onto the everyday life of the Beaulieu family, but we also witness the decline of his father-in-law, Roland. Paul à Québec is a hymn to life that reminds us, among other things, of the beauty of those small moments when, in spite of the farewells, life shows us how important it is to savour every instant.
Sometimes, life just seems to hand you exactly what you need – particularly at Christmastime. In this new yuletide original, Riley is scraping bottom when she miraculously lands a job with a wealthy New York City entrepreneur. He’s a bad-boy socialite type who is poised to play Scrooge by closing one of his factories just before Christmas, which would devastate and entire town. It’s left to Riley to talk him out of it and turn him into a man of virtue rather than shame. But will a case of mistaken identity ruin the whole plan?
Joe Pesci stars as Louie Kritski, a heartless landlord who has been so negligent in keeping up his ghetto apartment that he is threatened with jail time. The judge gives him another option, which he accepts — he must live in his rat-infested hell hole until he brings it up to liveable standards. The judge gives him 120 days, during which time Louie meets many of his tenants, including drug dealer Marlon (Ruben Blades). Over time, Louie grows more sympathetic with their problems and sees the results of his own greediness. Unfortunately, Louie’s father, Big Lou Kritski (Vincent Gardenia), is the real owner of the property, and he resists his son’s entreaties to spend money to clean up the place.
With a great career, close friends, and an upwardly mobile fiancé, ‘How To’ book writer Grace (Chandra West) appears to have the perfect life. Meanwhile, local firefighter Steve (Mark Consuelos), having just been suspended for his reckless, yet heroic style, seems to be heading in the opposite direction That is, until a fateful fire rescue fans the flames of attraction and gives them both a new perspective on life.
With many idea rich comic situations French director Jacques Tati uses his poetic ways and knowledge of the discrepancy between heart and technique to tell a gentle business satiric tale that won him the Oscar for best foreign film in 1959.
Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has a stroke, and the couple’s bond of love is severely tested.
