Michaela loses her job and her life starts to fall apart. Her flatmate Stephanie as always is there to support her. After they meet two men, Michaela start to rebuild her life as Stephanie ‘s starts to unwind into a destructive climax.
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Based on “Sister of the Road,” the fictionalized autobiography of radical and transient Bertha Thompson as written by physician Dr. Ben L. Reitman, ‘Boxcar’ Bertha Thompson, a woman labor organizer in Arkansas during the violence-filled Depression of the early ’30’s meets up with rabble-rousing union man ‘Big’ Bill Shelly and they team up to fight the corrupt railroad establishment.
Fire investigator Sean McCaffrey, son of the late Steven “Bull” McCaffrey, is now working at the same Chicago firehouse along with his uncle Brian. When Sean is assigned to investigate a deadly fire, he and partner Maggie soon realize that they are dealing with something much more than a routine fire. The clues they discover lead them down a treacherous path of arson, murder, and international terrorism. Sean must use his intuition, along with the help of infamous jailed arsonist Ronald Bartel, in a race to find out who is behind the fire and stop them from accomplishing their devious plans.
In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership. Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film’s opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O’Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached manner leads to one mistake after another.
Ray meets Helen during a random collision of altered fates. They are strangers, over sixty, lonely, luckless. He hit rock bottom in the big city, she on a small farm. It’s a struggle not to give up or in. But then separately and without warning, each becomes overwhelmed by unrelated and extraordinary events.
Ismael and Julie, who in the hope of sparking their stalled relationship, enter a playful yet emotionally laced threesome with Alice. When tragedy strikes, these young Parisians are forced to deal with the fragility of life and love. For Ismael, this means negotiating through the advances of Julie’s sister and a young college student – one of which may offer him redemption.
Liu Yifei plays Elso, a reputed French flutist who travels from Paris to Chengdu. Her life is compared to the one of a night peacock, an eternal conflict between life and death, love and time. A night peacock, by Fabre’s definition, is a moth with the life goal of finding their soul mate.
In 1825, Claire, a 21-year-old Irish convict, chases a British soldier through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. She enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.
A young man and his four younger siblings, who have kept secret the death of their beloved mother in order to remain together, are plagued by a sinister presence in the sprawling manor in which they live.
A truffle hunter who lives alone in the Oregonian wilderness must return to his past in Portland in search of his beloved foraging pig after she is kidnapped.
Set in rural Arkansas in 1973, Come Morning is the tragic story of Frank and his 10-year-old grandson and the hunting accident that forever changes their lives.
